Fear Leads to Anger: Race, Gender, and the Reactions to John Boyega in Star Wars

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“Fear leads to anger, anger leads to hate, hate leads to suffering.”
– Jedi Master Yoda, Star Wars: Episode I – The Phantom Menace

As my close friends know, I have been a huge Star Wars fan since childhood. I grew up on the original trilogy – first on VHS and then re-watched them in the theater when the Special Editions were released. I was 15 years-old when The Phantom Menace came out in 1999 and I went to the midnight premieres for all three prequel films.

The way I viewed the Star Wars Saga changed as I grew older. When I picked up on the spiritual and political themes in the films, I began to think of Star Wars as more than just escapist entertainment. Commenting on his first film, the much overlooked THX 1138, George Lucas explained that the film was set in the future, but not about the future. Like many science fiction stories about dystopian futures, the movie was meant to reflect the kind of society we live in today. Star Wars is more space fantasy than science fiction, but Lucas’ social and political commentaries on contemporary issues are evident in his work, including in the prequels and “The Clone Wars” TV series.

However, I feel that the commercialization and status of Star Wars as a marketing brand have, unfortunately, depoliticized the important political themes of the films. Furthermore, as much as I appreciate the anti-imperialist and anti-war messages, there is a lot of race and gender fail that cannot be overlooked. In the 6 films, there is a serious lack of people of color and women characters. This criticism isn’t just about numbers, but also about how the characters are portrayed and tokenized. For example, the inclusion of Lando Calrissian in The Empire Strikes Back appeared to be an attempt to add “diversity” to the series. However, as Wyatt Cenac expressed in one of his stand-up performances about the lack of black people in science fiction and fantasy, “There’s Lando Calrissian, whose cool till he betrays everybody.” Although the Empire forced Lando to betray his longtime friend, Han Solo, along with Leia and Chewbacca, the message that gets communicated is that black people are traitors and untrustworthy. In Return of the Jedi, we see Lando help rescue Han and later become a General for the Rebel Alliance. He also leads an attack on the second Death Star and destroys it. Adilifu Nama, the author of “Black Space: Imagining Race in Science Fiction Film,” argues that Lando is more complex than a one-dimensional token black character, but also states that even though Lando is “situated with the ‘good guys'” in Return of the Jedi, the “broader racial message remained: whites must be guarded toward blacks, and blacks must be evaluated according to their degree of allegiance to white interests.”

Across the 6 films, there are only two prominent women characters: Padmé Amidala from the prequels, and Leia Organa from the original trilogy (for an excellent analysis of these characters, check out Amanda Rodriguez’s article, “The Very Few Women of ‘Star Wars’: Queen Amidala and Princess Leia”). The Star Wars Expanded Universe (i.e. the Star Wars novels, comic books, and video games) seemed to make a conscious attempt of creating more women characters in the Star Wars universe. Jaina Solo and Mara Jade are perhaps the most popular characters who do not appear in the films or TV shows (a comic book mentions that Mara was at Jabba’s palace during the events of Return of the Jedi, but she still can’t be seen in the actual film). Mara Jade was so popular that Lucasfilm hired model Shannon McRandle to represent the character in photos for Star Wars card games. Sadly, after Disney bought Lucasfilm and declared that the Expanded Universe is no longer canon, there is speculation about whether or not Jaina and Mara will be in the upcoming sequel trilogy.

NBail_Organaone of the women characters mentioned above are women of color. Although people of color are slightly more visible in the prequel trilogy, their roles are mostly relegated to the background. Indian actress Ayesha Dharker appears in a very short scene in Attack of the Clones as Queen Jamillia and is never seen again. Fans know the important role Bail Organa (pictured left, and portrayed by Jimmy Smits) plays in the saga, but he isn’t given much to do in the prequels. There are two politically charged scenes in Revenge of the Sith where he, along with other people of color and women characters (including Mon Mothma), are given more dialogue and screen time, but both of these scenes were deleted (you can watch them here and here). One troubling detail is that Chinese actress Bai Ling, who plays Senator Bana Breemu in one of the scenes, states that Lucas cut her role from the film due to her Star Wars-themed photoshoot for Playboy magazine.

SteelaIt is true we see more women characters in “The Clone Wars” TV series (which is still canon), like Ahsoka Tano, Asajj Ventress, Barriss OffeeSatine Kryze, and more screen time for Aayla Secura, but there are a few points that need to be addressed. First, since these characters exist in a timeline between Attack of the Clones and Revenge of the Sith, they must eventually disappear, be pushed to the background, or get killed off. Second, women of color rarely make an appearance. I have mentioned Steela Gerrera (pictured right, and voiced by Dawn-Lyen Gardner) in a previous post and (SPOILERS) how her death reinforced the trope of women of color being killed off to serve as martyrs who inspire the revolution led by white protagonists (Rue from The Hunger Games is another example). In prozacpark’s post about (SPOILERS) the horrible death of Dualla/Dee (another woman of color) in the TV show “Battlestar Galactica,” she mentions how Edgar Allen Poe once wrote that the “death of a beautiful woman” is “unquestionably the most poetical topic in the world.” In response to this violent, misogynist trope and the death of Dualla/Dee, she writes:

But would Dee, arguably the strongest person this show has, kill herself? Dee, who told Lee that she was going to marry him despite believing he loved Kara better because she was willing to take whatever she could get and it was going to be enough? No, Dee would’ve gone on… She would’ve survived. And been more beautiful in her strength than she could ever be in death.

Because death – always beautiful for women – redeems them, restores them to their beauty, happiness, and honor or what the fuck ever. Because in death, they become a blank text that can be written upon – having nothing but the body that patriarchy finds so interesting, that the male gaze finds easy to objectify – just as Dee became a text to be written on (just as Cally was, before her, ‘vacant,’ as Tyrol said), so the writers could impart some message using her. She’s not a person to them; women rarely are in fiction, right? She’s a symbol. Of everything humanity has lost, and everything it continues to lose. But I’m sick of symbolism. Sick of women dying so they can be symbols of some man’s revolution or some writer’s narrative journey. Sick, in general, of this metanarrative that I hate with a burning passion and that just won’t go away.

You know what’s better than that proverbial beautiful death? SURVIVING.

I believe this applies similarly to Steela Gerrera in “The Clone Wars.” Here, we see a woman of color resistance leader fighting against a brutal droid occupation of her planet, Onderon (it’s hard not to think about a possible allegory with occupied Palestine when the characters demand, “End the droid occupation”). When she and Lux Bonteri, a young white politician-turned-rebel fighter, were nearly falling off a cliff, Ahsoka Tano used the Force in attempt to save them. Ahsoka managed to float Lux to safety, but her efforts to save Steela failed. Steela’s death was not necessary and served no other purpose but to transform her into a symbol and have her remembered as a martyr. Meanwhile, the young white man, Lux, survives and is re-appointed as senator of Onderon and rejoins the planet with the Republic. His survival was important for larger political purposes, whereas Steela’s purpose was to die for Onderon’s independence so that white men could lead. The “death of a beautiful woman” trope also victimizes Duchess Satine Kryze, whom Obi-Wan Kenobi is in love with. Since Obi-Wan doesn’t mention anything about a romantic interest in the films, the writers must have figured that the easiest way to keep continuity was by killing off Satine (who is murdered by Darth Maul).

Then there are issuEwokses concerning cultural appropriation, Orientalism (e.g. Tatooine, Tusken Raiders/Sand People, Jabba the Hutt smoking hookah and keeping a harem of female dancers), and the racialization of non-human characters (especially Jar Jar Binks and the offensive anti-Asian caricatures of the Neimoidians) in Star Wars. Lucas named the Ewoks (pictured left) in Return of the Jedi after the Miwok, a Native American tribe who are indigenous to San Rafael, California (which is also where Lucas built his Skywalker Ranch). In the Battle of Endor, where Ewoks help the Rebels fight the Empire, Lucas wanted to portray a “primitive” and “technologically-inferior” society of creatures (Ewoks) defeat the technologically-advanced imperial forces (not too different from how the Na’vi in Avatar are “thinly veiled representations” of Native Americans). As Gabriel S. Estrada states in his chapter, “Star Wars episodes I-VI: Coyote and the force of white narrative,” Lucas’ Ewoks “play into historical racism against California Indians and Miwoks in particular. Historical California Indian technological differences were unethically used to justify Indian genocide as State and Federal policy, especially after the 1849 Gold Rush.” Furthermore, he writes: “Even though the teddy bear Ewoks fight off Empire soldiers and side with the good guys, they are more like the ‘lovable’ loyal sports mascots that so many Native Americans ridicule.”

These topics on racializaiton and racist appropriation would be better discussed in a separate blog post, but I recommend clicking on the links I’ve provided above (also, much of my thoughts about white people appropriating the struggles of people of color are similar to what I’ve said in previous posts here and here). What I want to focus on below are the reactions to John Boyega being a potential lead character in the upcoming 2015 Star Wars film, Episode VII – The Force Awakens. I say “potential lead character” because we don’t know what his role is yet. However, based on numerous rumors and reports, including quotes from Mark Hamill (who says the upcoming Star Wars films are about the “new generation of characters”), it is believed that Boyega’s character is most likely part of this new generation.

According to how the teaser trailer for The Force Awakens is structured, it does not seem to be insignificant that the first shot we see of Episode 7 is one of John Boyega entering the frame. The second person we see is a young white woman (Daisy Ridley’s character) on a speeder bike, followed by a male X-wing pilot (played by Latino actor Oscar Isaac). Both of the latter characters are thought to share leading roles with Boyega. After the trailer was released, the racist tweets/posts/comments flooded the internet. Below are a few screenshots: swcomment1swcomment2swcomment3 swcomment5swcomment4comment6There are countless comments like these and the disturbing part is that they are not hard to find. One look at the comment threads on YouTube or message boards will be enough to see the white rage expressed against John Boyega. In fact, the racist remarks were so common that Boyega took a moment on his instagram account to (1) thank fans for the support and (2) tell the racists to “get used to it.” His instagram post can be viewed here.

It is good to see that there has been a lot of coverage on social media about these racist posts. Most of the articles and commentaries I’ve read rightfully condemn these reactions, but they unfortunately don’t get at the heart of the problem. That is, most of the articles frame these reactions as having everything to do with Boyega playing a “black stormtrooper,” instead of having more to do with him being black and a potential lead character in a film series that has always centered on white male characters. There are articles out there that are pointing this out as well, so I’m not the first to address this. However, I still notice posts, articles, YouTube videos, and news programs that ask, “Can stormtroopers be black?” when they should be asking, “Can Star Wars have a black lead character?”

jangofettHere’s the problem with the question about the race of stormtroopers: you’ll find a lot of posts and comments from people (who, to my astonishment, call themselves Star Wars fans) who believe that stormtroopers are clones of Jango Fett (pictured right, and played by Temuera Morrison, who is of Maori descent) and therefore cannot be black. Within the internal logic of the Star Wars universe, this is factually incorrect. It seems like a common mistake that a significant number of people are making, but I also believe a lot of people are using it as an excuse to hide their racism and fear of a black lead character (I’ll get to this in a minute). In the prequels, Clone troopers were clones of Jango Fett, but the imperial stormtroopers we see in the original trilogy are no longer clones. After the formation of the Galactic Empire, humans were recruited to enlist as stormtroopers. This is indicated by the different heights and voices of the stormtroopers in the original trilogy (for the Blu-ray release of the Star Wars Saga, Lucas replaced Boba Fett’s voice with Temuera Morrison’s voice, but the voices of the stormtroopers were not changed). The recruitment of humans in the post-prequel era is also being explained and depicted in the new Star Wars Rebels TV show. So, the “black stormtrooper problem” is one that can be solved simply with a Google search.

Yet it’s amazing when I still see people on YouTube, Facebook threads (including on the official Star Wars page), and message boards persist in making this argument that “stormtroopers can’t be black because they are clones of Jango Fett.” When well-intentioned articles put forth the question, “Can stormtroopers be black?” they are working within a false framework that assumes all stormtroopers are clones. On a larger scale, their question raises concerns about whether black people and other people of color have a place in white male-dominated sci-fi/fantasy stories. I recently saw a comment that said, “Stormtoopers can’t be black because it changes the canon of the story,” and then the person went on about how Superman, James Bond, and Johnny Storm should always be white. When I pay attention to the tone, length, and persistence of these comments (mostly coming from white people in fandom), the more I believe there is more going on. How could casting a person of color as Superman, for example, be an issue about “canon” when the character is an extra-terrestrial from a fictional planet? What “rule” says his character (or any fictional character for that matter) must be white? As one can see in some of the comments I shared above about John Boyega, the complaints go beyond “canon” and are more about him being black. The “stormtroopers can’t be black” arguments are not only inaccurate, but also used as an excuse by people who are not comfortable with a black lead character disrupting their white universe. As one commenter, Grace_Omega, wrote on a message board:

[L]ook at the reaction to John Boyega in Star Wars. Some people are getting mad over accusations of infidelity to the previous movies (or they’re claiming to be, at least), but judging by the comments I’m seeing [it’s] clear that others just can’t accept a black Star Wars lead (assuming Boyega is actually the lead, as has been strongly rumoured). They’re used to Star Wars being almost entirely white, with black characters only included in supporting roles, and Boyega being the first character on screen in that trailer triggered the same reaction as the students I mentioned above.

It should be obvious that racism is the real issue here. As the comment mentions, there have been black characters in Star Wars before like the aforementioned Lando Calrissian and Mace Windu, but the films never centered on them. Having black actors is more acceptable when they are playing supporting roles (though not always the case, especially if they’re playing characters that were imagined as white – see racist reactions to Rue and Idris Elba’s Heimdall). Even if stormtroopers were clones of Jango Fett, Star Wars is a fictional world with fictional characters. Do people really believe the writers wouldn’t be able to create an explanation?  These same individuals most likely will agree that sci-fi and fantasy stories/films encourages them to broaden their imaginations, but when it becomes about having people of color in these stories, suddenly there are limits. It’s called “political correctness” or a “diversity agenda.” Since we haven’t seen the film, isn’t there also the possibility that Boyega’s character disguised himself as a stormtrooper (in the same way Luke and Han did in A New Hope)? These possibilities are not taken into consideration because their racist imaginations refuse to accept a black main character in Star Wars.

Racism in fandom is nothing new and it’s something that’s still being addressed and challenged. It’s the fear of black people and other people of color “invading” that white-dominated space that leads to anger and hatred (not too different from how white America fears people of color outnumbering them in the near future). While most of the hatred here is directed at Boyega, you’ll find other comments that also complain about the film having a possible woman lead, a Latino male character, and (according to rumors) women playing stormtroopers. Lupita Nyong’o did not appear in the trailer, but is set to be in the film, too. The complaints (again, coming from mostly white male fans) accuse the film of pushing “political correctness” that is apparently threatening their fandom. I can’t help but wonder what the reaction would have been if Nyong’o was shown as the lead character.

The message these racist reactions send are that black people cannot be seen as heroes. They reflect the dangerous anti-blackness that is rooted in white supremacy. As I mentioned in a previous post, anti-black racism is global. In the United States, we shouldn’t have to be reminded about the country’s long history of slavery, Jim Crow laws, mass incarceration, police and state violence against black people. One of the comments above compared Boyega to Trayvon Martin, a horribly insensitive and racist sentiment that demonstrates how black lives are constantly devalued. A 2013 study conducted by Malcolm X Grassroots Movement found that “one black man is killed every 28 hours by police or vigilantes.” Adam Hudson adds:

These killings come on top of other forms of oppression black people face. Mass incarceration of nonwhites is one of them. While African-Americans constitute 13.1% of the nation’s population, they make up nearly 40% of the prison population. Even though African-Americans use or sell drugs about the same rate as whites, they are 2.8 to 5.5 times more likely to be arrested for drugs than whites. Black offenders also receive longer sentences compared to whites. Most offenders are in prison for nonviolent drug offenses.

Mainstream media, including film and television, help fuel racist attitudes, policies, and violence through victim-blaming commentaries on the murders of black men, women, trans and gender-nonconforming people (who are criminalized and vilified as “thugs” after their deaths, cruelly implying that their deaths were justified and that their lives do not matter). The dehumanization is reinforced over and over again through racist stereotyping of black people in films and TV shows, which no doubt influence and fuel the racist reactions we see towards John Boyega. The shameful media coverage of Ferguson wanted to focus more on blaming Mike Brown and demonizing him as a “thug” rather than addressing and challenging the violence of white supremacy (some news networks tried to show “balanced” coverage, which is a horrible cop-out because it legitimizes the narratives that blame black people for their own murders and oppression). When the larger structures of violence in society views black men and women as “criminals” and “inferior,” it isn’t surprising that angry tweets and posts treat Boyega’s presence as a criminal act.

As I have articulated in previous posts, I believe images in media matter. The media plays a significant role in shaping our perceptions and attitudes about race, gender, class, sexual orientation, religion, body image, ideas about freedom, and so on. It is good to see John Boyega being in the new Star Wars (and even better if he is playing the lead role), but then there are questions that still remain about how his character will be portrayed. I also think it’s important to be conscious of how “diversity” in mainstream media (especially in franchises like Star Wars) has a terrible habit of reinforcing myths about a “post-racial and post-gender” world. These myths uphold white supremacy as they focus more on showing how “diverse” and “multicultural” our society is rather than dismantling systems of oppression. It is not difficult to imagine people saying, “Stop whining about racism, the new Star Wars hero is black” (similar to how people say, “Racism doesn’t exist anymore because we have a black president”).

The Star Wars universe has touched upon speciesism within its stories, but never racism, sexism, and homophobia. I don’t expect Star Wars to address these issues (at least, not directly) and I don’t believe it intends to bring about radical change against racism. People of color have been (and are) leading that charge for a long time. I’ve heard some people dismiss the racist reactions to John Boyega as being a “non-issue,” but the reality is, the reactions reflect the disturbing anti-blackness (and its acceptability) that is dangerously prevalent. There is no doubt that the film will be a huge success (and it is predicted to break records at the box office) and there will be a lot of people who will praise the film’s diversity. I personally believe it’s important to see people of color in heroic, complex, and non-stereotypical roles. At the same time, I have seen the ways “diversity” has been used to advocate “colorblindness” and distract us from real problems in society (these are some concerns I have about Muslim-American superheroes too, but that’s for another post!). It would be awful if Boyega, along with Daisy Ridley, Oscar Isaac, and Lupita Nyong’o were used to promote the idea that we live in a “post-racial and post-gender” world. Because if there is one thing that’s clear from the outrage about Boyega, it’s that we are very far from that fictional world.

Why I’m Not Down With #MuslimLivesMatter

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I don’t have a twitter account, but I’m well aware of how hashtags can be used as tools to express solidarity, speak out, and mobilize against injustice. Almost immediately after the Chapel Hill murders, I noticed a lot of Muslims on Facebook using the hashtag #MuslimLivesMatter. It was heartbreaking to hear the news and I understood the grief Muslims were expressing online. However, I cringed when I saw the hashtag because I recalled all of the critiques of #AllLivesMatter, which was used online and in activist rallies/spaces as a response to #BlackLivesMatter. Though #MuslimLivesMatter is not exactly the same as #AllLivesMatter, it still co-opts the movement against police brutality and racism that systematically targets, terrorizes, and devalues black people.

It became more unsettling when I watched South Asian, Arab, white, and other non-black Muslims posting up both #MuslimLivesMatter and #AllLivesMatter. While there are many people who mean well when they post these hashtags, I still see a disturbing amount of people getting very defensive (and even make racist remarks) when they are informed about how these hashtags co-opt and appropriate #BlackLivesMatter (and this is yet another example of how we cannot make it about people’s “intentions”). When they persist in posting these hashtags, it seems like they are doing it out of defiance against #BlackLivesMatter, as if the latter is “ethnocentric” and supposedly doesn’t value the lives of non-black people. The persistence and refusal to listen also reflects the anti-blackness that exists in our communities.

I know this is an issue that needs to be addressed sensitively. We know the lives of brown Muslims are not valued in this society and I know there are lot of Muslims who are shaken up or feel triggered after the brutal murders of Deah Barakat, Yusor Abu-Salha, and Razan Abu-Salha. Hashtags may seem trivial to some, but they become more than hashtags when we see them used to organize protests and movements. #BlackLivesMatter was created by three self-identified Black queer women, Alicia Garza, Patrisse Cullors, and Opal Tometi. As Garza writes:

Black Lives Matter is an ideological and political intervention in a world where Black lives are systematically and intentionally targeted for demise.  It is an affirmation of Black folks’ contributions to this society, our humanity, and our resilience in the face of deadly oppression […]

When we deploy “All Lives Matter” as to correct an intervention specifically created to address anti-blackness,, we lose the ways in which the state apparatus has built a program of genocide and repression mostly on the backs of Black people—beginning with the theft of millions of people for free labor—and then adapted it to control, murder, and profit off of other communities of color and immigrant communities.   We perpetuate a level of White supremacist domination by reproducing a tired trope that we are all the same, rather than acknowledging that non-Black oppressed people in this country are both impacted by racism and domination, and simultaneously, BENEFIT from anti-black racism.

When you drop “Black” from the equation of whose lives matter, and then fail to acknowledge it came from somewhere, you further a legacy of erasing Black lives and Black contributions from our movement legacy. And consider whether or not when dropping the Black you are, intentionally or unintentionally, erasing Black folks from the conversation or homogenizing very different experiences.  The legacy and prevalence of anti-Black racism and hetero-patriarchy is a lynch pin holding together this unsustainable economy.  And that’s not an accidental analogy.

There are excellent critiques that I will quote and share below about #MuslimLivesMatter (because I believe they do a better job at explaining the problems of this hashtag), but I’ll just share a few thoughts here. Yes, the lives of Muslims are not valued in white supremacist capitalist heteropatriarchy. We know how the media and Hollywood has demonized Muslims and Islam for a very long time. We know that Islamophobia isn’t something that “only started after 9/11,” but existed well before that. We know how the massacres against Palestinians, Iraqis, Afghans, and Pakistanis show us how brown people are not seen as human beings, especially if they are Muslim. At the same time, we also cannot deny that when we talk about Islamophobia, it is often centered on the experiences of Arab and South Asian men. African/black Muslim men and women are frequently left out of the narrative, marginalized in mosques, otherized, and vilified by Arab, South Asian, white, and other non-black Muslims.

Anti-black racism is global. We cannot be preaching Prophet Muhammad (peace be upon him) or the Qur’an’s teachings about diversity and how no one is superior to another person on the basis of race if we are not practicing it in the community. Yeah, we’ll hear Arab, South Asian, and white imams quote Malcolm X whenever it is convenient or boast about Muhammad Ali, but then they’ll marginalize black Muslims or make racist remarks about the black people (Muslim and non-Muslim) in their neighborhood. There is also a colorblind narrative that accompanies the sermons about Malcolm X. I remember a white imam in one of my local mosques giving a speech about how Malcolm used to be a “racist black supremacist” until he went for Hajj and started to accept all Muslims (he liked to emphasize on how Malcolm started to accept white people). The conclusion the imam drew from this was that Islam advocates colorblindness or that “race doesn’t exist in Islam.” This narrative not only ignores Malcolm’s post-Hajj speeches against white supremacy, imperialism, and the western power structure, but also erases his blackness (side note: I’ll be writing a post one of these days on how religious and community leaders, especially those in the west, use Islam to silence anti-racism).

We’ll hear non-black Muslims speak highly of Hazrat Bilal (peace be upon him), the Abyssinian companion of the Prophet, and how he was chosen specifically by the Prophet to be Islam’s first muezzin. We’ll hear them talk about how beautiful his voice must have been and how he was one of the most trusted companions of the Prophet. We’ll also hear talk about how Islam doesn’t tolerate racism and point to Hazrat Bilal as proof. Yet, when it comes to the way we treat black people or talk about black people, whether Muslim or not, there is no denying that anti-black racism exists and needs to be actively addressed and challenged. We’ll still hear Arab, South Asian, white, and other non-black Muslims use the n-word (and even argue that they can “reclaim” the term) and use derogatory, anti-black words in Arabic, Urdu/Hindi, and other languages.

When two Somali Muslims, Mustafa Mattan and Abdisamad Sheikh-Hussein, were recently murdered (Mattan was murdered a day before the Chapel Hill murders), we didn’t see the same outrage from Muslims in North America nor did we see the start of “Muslim Lives Matter.” It was necessary and important that Muslims spoke out against the murders of Deah, Yusor, and Razan, so I am by no means saying that anything was wrong with this. The only thing that is wrong is how non-black Muslims tend to devalue the lives of black Muslims and non-Muslims. Abdisamad Sheikh-Hussein was 15 years-old and deliberately hit by an SUV that had a message reading “Islam is worse than Ebola” on the rear-view mirror. The Islamophobia and anti-Muslim violence was frighteningly explicit in this case, but why wasn’t there a national outcry about his murder from Muslim communities and national organizations? As Khaled A. Beydoun and Margari Hill recently wrote in their article, “The Colour of Muslim Mourning”:

The curious case of Mustafa Mattan is as much a story of intra-racial division and anti-black racism within the Muslim population as it is a narrative about the neglected death of a young man seeking a better life far from home… The outpouring of support and eulogies that followed their deaths revealed that Deah, Yusor and Razan were, in life and in death, archetypes of young, Muslim Americans. Lives neglected by the media, but ones that mattered greatly for Muslims inside and outside of the US. […] Despite a few vocal critics, Mattan’s erasure in the discussion of Islamophobia in North America is evident. The exclusion of Mattan and Sheikh-Hussein perpetuates a harmful hierarchy that privileges Arab narratives and excludes black/African Muslims. This racial stratification relegating black Muslim lives is evident as much in death as it is in life.

In order to understand the critiques of #MuslimLivesMatter, we need to acknowledge that anti-black racism exists in our communities. We also need to understand that these critiques are more than just about hashtags. Because #BlackLivesMatter is not “just a hashtag,” it represents a movement. We can create our own hashtag and call for justice and solidarity for all Muslims without co-opting, appropriating, and/or stepping upon the rights of other communities. #JusticeForMuslims and #OurThreeWinners (the latter was started by the victims’ family) should be used instead. Below is an excerpt from Anas White’s excellent article, A Black Muslim Response To #MuslimLivesMatter:

#BlackLivesMatter began as a statement to an establishment – an overall system if you will, declaring the seeming unrecognized value of black lives. It continues to hold that same meaning, even as it moves to become an expression of the movement itself. A movement against deep rooted systemic racism, high rates of police brutality, extra-judicial executions, media smearing and vitriol, and the failure of the justice system to actually hold anyone accountable for dead black men, except dead black men. It is important to remember, that #BlackLivesMatter was not born of an occurrence, but of an atmosphere wrought with repeat occurrence. […] A 12 year old black boy was shot and killed for playing with a BB gun, his sister then handcuffed to watch him bleed. A black father was killed in a Walmart, holding a toy gun sold at that very Walmart, in a state where it is legal to carry guns. A black father was shot in the back, while handcuffed. A black father was essentially choked to death in high definition. A black protest was met with a para-military, and national guard troops. A black woman was shot seeking help. A black man was literally lynched. Where were you then? My respect to every single one of you that ever attended a protest, and to every Imam that ever gave mention, but I mean this on a deeper level. Where was the Muslim community in response to these egregious civil rights violations? Where is the Muslim community in solidarity with a movement against these civil, and even human rights issues?

And an excerpt from Sabah’s article, “Stop Using #MuslimLivesMatter”:

#BlackLivesMatter represents an entire movement and its history. It’s not “just” a hashtag, it’s a powerful outcry born from a racial injustice felt by a people. It cannot, and should not, be molded to fit another people’s struggle. And solidarity, while important (and in fact, essential), never involves co-opting another movement. […] There is obviously nothing inherently wrong with saying that “Muslim lives matter,” but contextually, it’s being used parallel to #BlackLivesMatter — it’s meant to evoke the same concepts, using the same kind of language. This appropriation of a movement is counterproductive and frankly unfair to both the Black and Muslim communities. We should not be blending together two complex, multifaceted issues for the sake of convenience. It’s a reductive move that simplifies both struggles, and it only contributes to erasing the very real, very dangerous implications that Islamophobia specifically holds for Muslims.

Stop Calling It a “Parking Dispute”

Image:The mainstream media’s insistence that the massacre in Chapel Hill was the result of a “parking dispute” is utterly appalling and shameful. The victim-blaming here is nothing new, sadly, nor is it surprising. Even in news programs that seem to be expressing more sympathy for the victims and their family, their framework is about “balance.” In other words, they want to “consider all possibilities” rather than speaking specifically about Islamophobia.

Suzanne Barakat, the sister of Deah Barakat, has been speaking on MSNBC, CNN, and other news networks, emphasizing that the murder should be treated as a hate crime and terrorism. Her words speak for themselves:

I think it’s absolutely insulting, insensitive, and outrageous that the first thing they come and say and issue a statement that this is a parking dispute. I’m not sure who they spoke to because it took me all of 5 minutes of talking to his former roommate – who they had not reached out to – to give me details, information, text messages… I have been here since the morning after the shooting and police have still not reached out to my family… To call it a parking dispute when, in fact, no one was parked in even that visitor’s parking spot that does not belong to him, is outrageous to me, and it’s insulting, and it trivializes their murders.

From the segment on CNN:

The day of the murders, an assemblywoman from the state I live in used the hashtag “stand up against Islam” and it’s currently an open season, a time where it’s an open season against Islam, Muslims in Washington, Muslims in the general media dehumanizing Muslims in movies like ‘American Sniper,’ it’s incredibly inspiring right now to see that Deah, Yusor, and Razan’s love for their country is being reciprocated.

Had roles been reversed, and no one is talking about this, but had roles been reversed and the man was Muslim, was of Arab descent, was of South Asian descent, this would have immediately been labeled an act of terror. I haven’t heard anyone use the term ‘terrorist’ here but it– why the double standard? He has terrorized our families, he has terrorized our lives, he has terrorized our community, locally, nationally, and internationally and it’s time that people call it for what it is.

During an interview with RT, Yusor and Razan’s brother, Yousef Abu-Salha, added:

The main message would be that, first of all, we are peaceful and that’s what our faith preaches. We don’t seek vengeance, we treat our enemies with kindness. But we would like this crime to be labeled as it should be because that’s the only way we can seek justice and solitude and everything that’s happened. It’s what they deserve. We stand in solidarity and we sympathized with all the minorities recently and all that’s going on in the world. We call an injustice when we see it, we call an oppression when we see it, so we really need this right now.

When the family of the victims are calling on authorities and the media to treat this murder as a hate crime and terrorism, it is shameful, disrespectful, and insulting every time the media argues otherwise or makes the speculation about “balance.” You’ll notice how Jake Tapper constantly asked Suzanne Barakat if there was a specific moment when Craig Stephen Hicks said or did something explicitly anti-Muslim. Even though the family members and friends have referenced Yusor as once saying, “He hates us for what we are and how we look,” reporters like Jake Tapper have the nerve to continue pressing for “evidence” of anti-Muslim sentiment.

I cannot speak for the family or the victims. I’m sure there are still more details that have yet to surface about Deah, Yusor, and Razan’s encounters with their hostile neighbor. However, I know that many Muslims, as well as people of color, don’t need “evidence” or “proof” in the form of an explicit Islamophobic statement from the neighbor to know this was motivated by racist, anti-Muslim sentiment. I know my experiences and encounters with Islamophobia and racism are nothing compared to this violence. What I do know is that many Muslims and people of color have experienced (and continue to experience) horrible situations where blatant racial slurs don’t need to be said in order to determine that the discrimination and hostility they’re facing is due to racism.

We take note of how we are singled out. We notice it in the way people look at us. We see it in their eyes. We hear it in their tone of voice. We hear it in the way they talk to us. We feel it in the actions they take against us. As a Pakistani Muslim man, I am aware of how my brown skin makes me a target for racism. However, in the presence of Muslim women who wear hijab, I have only witnessed how the stares, hostile looks, and racist comments and attitudes are more pronounced towards them. I can never fully know what it must feel like to experience that directly on a daily basis. To say the harassment and murder of the three Muslim students, two of whom were Muslim women who wore hijab, had nothing to do with them being Muslim is disingenuous and insulting.

These daily aggressions are overlooked and ignored, not just by the media, but every day in society. They’re dismissed as “isolated incidents” rather than being connected to the larger forces of white supremacy, patriarchy, capitalism, colonialism, and imperialism. Media has no language, no nuance, and no analysis to discuss and address these experiences of Muslim women, women of color, and people of color. It will not make the connections between the demonization of Muslims and Islam in the media, including in films like American Sniper or in TV shows like “Homeland,” and the deadly impact these images have on our community. For a few minutes, they’ll do a report on Chapel Hill, but the rest of the time, the media is back to depicting Islam and Muslim as terrorists and barbarians.

These connections need to be made, not only for the sake of challenging the dehumanization of Muslims in the media, but also the dehumanization of black men and women and other people of color. We know how differently the media’s reaction would have been if a black man murdered three white non-Muslim people, or if it had been a brown Muslim man. Suzanne Barakat’s words about the media’s double-standards and complicity is something society needs to pay more attention to. The “parking dispute” excuse is rooted in the same racism that refuses to talk about Islamophobia and would rather treat this as an “isolated incident,” something to “forget” about.

The need to challenge these irresponsible narratives, the media’s demonization of Muslims, and the Islamophobic hate speech from hate groups, politicians, filmmakers, celebrities like Bill Maher, “New Atheists” like Richard Dawkins and Sam Harris, and other influential figures are urgent and serious. They are matters of life and death.

Prayers for the 3 Muslim Students Murdered in Chapel Hill

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All day, my Facebook news feed was filled with reports and updates about the horrible murder of 3 Muslim students in North Carolina yesterday. Their names are Deah Barakat, 23, Yusor Abu-Salha, 21, and Razan Abu-Salha, 19. They were murdered by their neighbor, Craig Stephen Hicks, a 46 year-old white man who identified as “anti-theist” and frequently posted his anti-religious views on Facebook. He often cited Richard Dawkins and Sam Harris, both of whom are notoriously known for their Islamophobic attitudes and statements.

It is difficult for me to put my feelings about this into words, but my deepest thoughts and prayers go out to the victims, their families, and their friends. I cannot begin to imagine what they are going through. A lot of Muslims have posted about their grief, anger, and heartbreak over this atrocious act of terrorism, and my reaction isn’t any different. The mainstream media’s lack of coverage/awful coverage was utterly shameful, especially when headlines on media outlets, including the CNN website, read that “parking disputes” led to this murder. It was an obvious indication that the media refuses, yet again, to acknowledge Islamophobia; that Islamophobia is still not recognized as a serious problem in society.

There are a lot more thoughts I have, but I will save them for another post. I just wanted to share the articles and video clips that were released today. May Allah bless their souls, grant them Jannat-ul-Firdous, and bring healing and strength to their families and loved ones. Inna lillahi wa inna ilayhi raji’un.

Victims’ father says Chapel Hill triple homicide was a hate crime:

‘It was execution style, a bullet in every head,’ Abu-Salha said Wednesday morning. ‘This was not a dispute over a parking space; this was a hate crime. This man had picked on my daughter and her husband a couple of times before, and he talked with them with his gun in his belt. And they were uncomfortable with him, but they did not know he would go this far.’

Abu-Salha said his daughter who lived next door to Hicks wore a Muslim head scarf and told her family a week ago that she had ‘a hateful neighbor.’

‘Honest to God, she said, “He hates us for what we are and how we look,”‘ he said.”

Raw Video: Family of Chapel Hill shooting victims speaks:

Deah Barakat’s sister Suzanne Barakat appealed to authorities on behalf of her family, saying “we ask that the authorities investigate these senseless and heinous murders as a hate crime.”

Suzanne Barakat speaking to Anderson Cooper about Chapel Hill Shooting:

“There had been issues of some disrespect and harassment from the neighbor’s standpoint. It’s basically incomprehensible to me that you can murder 3 people by shooting a bullet into their head and killing them over a parking spot.”