As upsetting as it is to hear about the Islamophobic TV show “Homeland,” it is encouraging to see so many anti-racist critiques being written about it. I mentioned this in my previous post, but media is a powerful force in our society that shapes people’s attitudes, perceptions, social norms, prejudices, etc. Constantly seeing demonizing images of Muslims in media are an assault on our humanity and they contribute profoundly to the apathy we see when Muslims are killed, tortured, bullied, and discriminated against. It is obvious at this point that the writers and producers are not concerned about how these images have a serious impact on the lives of Muslims, but I’m hopeful that these critiques by Muslims and non-Muslim allies will increase in number.
I decided to collect critiques of the show and post them on here. I will try to keep updating this post if I come across any more articles, but please feel free to share any additional links in the comments! Keep the critiques coming and let’s put them on blast on our blogs, tumblrs, twitter accounts, Facebook pages, etc. Below are excerpts from the articles, which can be read in full via the links provided.
I’ll start with the most recent article:
3 horrific inaccuracies in Homeland‘s depiction of Islamabad by Fatima Shakeel:
As I watched the premiere episode, my anticipation over seeing my hometown as the setting of a critically acclaimed American television show quickly fizzled as I watched Carrie Mathison and her fellow CIA agents arrive in a wild, filthy, menacing land that looked nothing like the place I’ve lived in my entire life. The show’s clear lack of homework on Pakistan is astounding; the setting, the characters, and the language that Homeland tries to pass off as “local” are all foreign to me.
Homeland consistently botches the most fundamental aspects of Urdu conversation, in ways that are both painful and hilarious to anyone who actually speaks it… The English accents are just as inauthentic. In real life, Pakistani English sounds nothing like the oft-caricatured Indian English accent. On Homeland, however, Pakistani characters speaking in English sound either like Apu from The Simpsons or like the carpet merchant singing the opening song of Disney’s Aladdin.
I find it hard to believe that the show’s producers couldn’t find a single native Urdu speaker or any Pakistani actors. At the very least, why not hire a language consultant? If Game of Thrones can hire a linguist to properly construct believable, fictional languages like Valyrian and Dothraki, why can’t Homeland hire somebody to check the basics of a real-world language?
A ‘Homeland’ We Pakistanis Don’t Recognize by Bina Shah:
Pakistan has long been said to have an image problem, a kind way to say that the world sees us one-dimensionally — as a country of terrorists and extremists, conservatives who enslave women and stone them to death, and tricky scoundrels who hate Americans and lie pathologically to our supposed allies. In Pakistan, we’ve long attributed the ubiquity of these images to what we believe is biased journalism, originating among mainstream American journalists who care little for depth and accuracy.
[T]he season’s first hour, in which Carrie also goes to Islamabad, offers up a hundred little clues that tell me this isn’t the country where I grew up, or live. When a tribal boy examines the dead in his village, I hear everyone speaking Urdu, not the region’s Pashto. Protesters gather across from the American Embassy in Islamabad, when in reality the embassy is hidden inside a diplomatic enclave to which public access is extremely limited. I find out later that the season was filmed in Cape Town, South Africa, with its Indian Muslim community standing in for Pakistanis.
I realize afterward that I’ve been creating a test, for the creators of “Homeland” and all who would sell an imagined image of Pakistan: If this isn’t really Pakistan, and these aren’t really Pakistanis, then how they see us isn’t really true.
A verse in the Quran says, “Behold, we have created you all out of a male and a female, and have made you into nations and tribes, so that you might come to know one another.” Even after everything that’s happened between us, we in Pakistan still want you to know us, not as you imagine us, but as we really are: flawed, struggling, complex, human. All of us, in the outside world as well as in Pakistan, need art — film and television, story and song — that closes that gap between representation and reality, instead of prying the two further apart.
TV’s Most Islamophobic Show by Laila Al-Arian:
All the standard stereotypes about Islam and Muslims are reinforced, and it is demonstrated ad nauseam that anyone marked as “Muslim” by race or creed can never be trusted, all via the deceptively unsophisticated bureau-jargon of the government’s top spies.
“Homeland” leaves little doubt that, regardless of the other red herring motivations of justice and psychological manipulation, it is being Muslim that makes someone dangerous. Brody is able to resist Abu Nazir’s machinations when he wants, and his desire to avenge Issa ultimately is overcome by his love for his own daughter. But nothing can rid him of his Muslimness, and so, like a child molester, he will always be a threat to the audience. When his wife discovers Brody is a Muslim who has been praying in that most sinister of man-caves, the garage, she tears through its contents like she is looking for his kiddie-porn stash. When she finds his Quran, she points angrily at it, shouting, “These are the people who tortured you!” These are the people who, if they found out Brody’s daughter was having sex, “would stone her to death in a soccer stadium!” She thought that Brody had put all the “crazy stuff” behind him, but he can only look sheepish and ashamed. The Quran, the sacred text of billions of people throughout history, is nothing more or less than terrorism and medieval justice embodied. Brody had it all, his wife implies: white, a hero, a family man, but he threw it all away by becoming a Muslim.
“Homeland” is the most bigoted show on television by Laura Durkay:
It’s easy to argue that “Homeland” is just a TV show, a thriller that naturally demands diabolical villains and high stakes. But these same stereotypes about Arabs and Muslims are used politically to justify actions in the real world — U.S. wars, covert operations and drone strikes; CIA detention and torture; racist policing, domestic surveillance and militarized borders. In this context, “Homeland” is not just mindless entertainment, but a device that perpetuates racist ideas that have real consequences for ordinary people’s lives.
“Homeland,” Obama’s Show by Joseph Massad (thanks to RenKiss for sharing this):
Homeland’s plot is hardly original. Its story is borrowed from the world of fiction and reality. While the plot resembles that of the 1962 film The Manchurian Candidate, and the anxiety about the enemy within, the drone attacks that kill hundreds of innocent children (and hundreds more innocent adult civilians) have been a real Obama specialty for years, extending from Pakistan to Afghanistan and Yemen.
Watch this clip of Deepa Kumar talking about “Homeland”: