Anti-Racist Critiques of “Homeland”

HOMELAND (Season 4)As upsetting as it is to hear about the Islamophobic TV show “Homeland,” it is encouraging to see so many anti-racist critiques being written about it. I mentioned this in my previous post, but media is a powerful force in our society that shapes people’s attitudes, perceptions, social norms, prejudices, etc. Constantly seeing demonizing images of Muslims in media are an assault on our humanity and they contribute profoundly to the apathy we see when Muslims are killed, tortured, bullied, and discriminated against. It is obvious at this point that the writers and producers are not concerned about how these images have a serious impact on the lives of Muslims, but I’m hopeful that these critiques by Muslims and non-Muslim allies will increase in number.

I decided to collect critiques of the show and post them on here. I will try to keep updating this post if I come across any more articles, but please feel free to share any additional links in the comments! Keep the critiques coming and let’s put them on blast on our blogs, tumblrs, twitter accounts, Facebook pages, etc. Below are excerpts from the articles, which can be read in full via the links provided.

I’ll start with the most recent article:

3 horrific inaccuracies in Homeland‘s depiction of Islamabad by Fatima Shakeel:

As I watched the premiere episode, my anticipation over seeing my hometown as the setting of a critically acclaimed American television show quickly fizzled as I watched Carrie Mathison and her fellow CIA agents arrive in a wild, filthy, menacing land that looked nothing like the place I’ve lived in my entire life. The show’s clear lack of homework on Pakistan is astounding; the setting, the characters, and the language that Homeland tries to pass off as “local” are all foreign to me.

[...]

Homeland consistently botches the most fundamental aspects of Urdu conversation, in ways that are both painful and hilarious to anyone who actually speaks it… The English accents are just as inauthentic. In real life, Pakistani English sounds nothing like the oft-caricatured Indian English accent. On Homeland, however, Pakistani characters speaking in English sound either like Apu from The Simpsons or like the carpet merchant singing the opening song of Disney’s Aladdin.

I find it hard to believe that the show’s producers couldn’t find a single native Urdu speaker or any Pakistani actors. At the very least, why not hire a language consultant? If Game of Thrones can hire a linguist to properly construct believable, fictional languages like Valyrian and Dothraki, why can’t Homeland hire somebody to check the basics of a real-world language?

A ‘Homeland’ We Pakistanis Don’t Recognize by Bina Shah:

Pakistan has long been said to have an image problem, a kind way to say that the world sees us one-dimensionally — as a country of terrorists and extremists, conservatives who enslave women and stone them to death, and tricky scoundrels who hate Americans and lie pathologically to our supposed allies. In Pakistan, we’ve long attributed the ubiquity of these images to what we believe is biased journalism, originating among mainstream American journalists who care little for depth and accuracy.

[...]

[T]he season’s first hour, in which Carrie also goes to Islamabad, offers up a hundred little clues that tell me this isn’t the country where I grew up, or live. When a tribal boy examines the dead in his village, I hear everyone speaking Urdu, not the region’s Pashto. Protesters gather across from the American Embassy in Islamabad, when in reality the embassy is hidden inside a diplomatic enclave to which public access is extremely limited. I find out later that the season was filmed in Cape Town, South Africa, with its Indian Muslim community standing in for Pakistanis.

I realize afterward that I’ve been creating a test, for the creators of “Homeland” and all who would sell an imagined image of Pakistan: If this isn’t really Pakistan, and these aren’t really Pakistanis, then how they see us isn’t really true.

A verse in the Quran says, “Behold, we have created you all out of a male and a female, and have made you into nations and tribes, so that you might come to know one another.” Even after everything that’s happened between us, we in Pakistan still want you to know us, not as you imagine us, but as we really are: flawed, struggling, complex, human. All of us, in the outside world as well as in Pakistan, need art — film and television, story and song — that closes that gap between representation and reality, instead of prying the two further apart.

TV’s Most Islamophobic Show by Laila Al-Arian:

All the standard stereotypes about Islam and Muslims are reinforced, and it is demonstrated ad nauseam that anyone marked as “Muslim” by race or creed can never be trusted, all via the deceptively unsophisticated bureau-jargon of the government’s top spies.

[...]

“Homeland” leaves little doubt that, regardless of the other red herring motivations of justice and psychological manipulation, it is being Muslim that makes someone dangerous.  Brody is able to resist Abu Nazir’s machinations when he wants, and his desire to avenge Issa ultimately is overcome by his love for his own daughter.  But nothing can rid him of his Muslimness, and so, like a child molester, he will always be a threat to the audience. When his wife discovers Brody is a Muslim who has been praying in that most sinister of man-caves, the garage, she tears through its contents like she is looking for his kiddie-porn stash. When she finds his Quran, she points angrily at it, shouting, “These are the people who tortured you!”  These are the people who, if they found out Brody’s daughter was having sex, “would stone her to death in a soccer stadium!” She thought that Brody had put all the “crazy stuff” behind him, but he can only look sheepish and ashamed. The Quran, the sacred text of billions of people throughout history, is nothing more or less than terrorism and medieval justice embodied. Brody had it all, his wife implies: white, a hero, a family man, but he threw it all away by becoming a Muslim.

“Homeland” is the most bigoted show on television by Laura Durkay:

It’s easy to argue that “Homeland” is just a TV show, a thriller that naturally demands diabolical villains and high stakes. But these same stereotypes about Arabs and Muslims are used politically to justify actions in the real world — U.S. wars, covert operations and drone strikes; CIA detention and torture; racist policing, domestic surveillance and militarized borders. In this context, “Homeland” is not just mindless entertainment, but a device that perpetuates racist ideas that have real consequences for ordinary people’s lives.

Watch this clip of Deepa Kumar talking about “Homeland”:

Islamophobia TV: All the Hate, All the Time!

homeland

No need to check your local listings. Islamophobia on TV isn’t hard to find. The image above is a promotional poster for the fourth season of “Homeland,” the hit television series about treacherous Muslims plotting to destroy western civilization. I believe the tagline of the show is something like, “Remember, kids, don’t ever trust the Moslemz.”

Over a year ago, journalist Laila Al-Arian wrote an excellent critique of the show and correctly called it “TV’s most Islamophobic show.” As many Muslims know all too well, the demonization of Islam and Muslims is not just confined to the TV screen, but has serious consequences in the real world. As expected, the critique was met with some resistance, notably from white non-Muslim viewers who could not bear to see their cherished imperialist television drama being criticized, let alone being called Islamophobic and racist. One would hope that producers would take the concerns expressed in Al-Arian’s article into account, but this is Hollywood after all and, as Jack Shaheen informed us, the longtime president of the Motion Picture Association of America Jack Valenti once said, “Washington and Hollywood spring from the same DNA.”

A year later, unsurprisingly, the producers decide to kick the Islamophobia up a notch. If the image above doesn’t make you cringe, I’m not sure what will. Laura Durkay recently pointed out in her critique what many Muslims noted in the image: “A blonde, white Red Riding Hood lost in a forest of faceless Muslim wolves.” The fact that such racist, sexist, and Orientalist imagery can be posted widely online and reprinted on billboards for the purpose of promoting “entertainment” for western viewers is utterly disturbing. I’m also told that the new season is set in Pakistan now? I’m guessing this won’t hurt public opinion about drone strikes on Pakistan, right?

It bothers me to see these images for a lot of reasons. I know there are some people in my workplace, for example, who rave about how “amazing” this show is. It’s difficult not to think about their attitudes and perceptions about Muslims and Islam. However, it goes beyond that. It’s about how these images further the dehumanization that’s essential for the war machine and white supremacy to prosper. Racist policies, surveillance and violation of rights, murdering Muslims through drones and wars – all of these things result for many reasons, and one of the reasons is because media renders Muslims as non-citizens and non-humans.

I know it’s been several months since I updated my blog, but over the hiatus, it was the holy month of Ramadan. Gaza was brutally attacked by Israel. No doubt, Palestinians are under constant threat of Israeli military occupation and genocide, but these attacks only accelerate the genocide against Palestinians. Israel’s murderous assault on Gaza led to the deaths of over 2,000 Palestinians and thousands more injured. I wrote something on my Facebook around the time of Eid-ul-Fitr, but will share it here with some variations:

Like for many, it was a difficult Ramadan, where the days and nights were filled with heartbreak, tears, rage, and desperate prayers. I cannot and do not want to appropriate the pain, suffering, and trauma that so many Palestinians are (and have been) enduring — Palestinians who are worried 24/7 for the safety of their family and loved ones in Gaza, and the Gazans themselves who are struggling to survive against Israel’s merciless and relentless genocide.

It is impossible to comprehend or imagine the terror they have been experiencing. No group should be massacred, let alone harmed, during any time of the year, but you know a people are so dehumanized, demonized, and seen as “disposable” when they are viciously bombed during their holiest month. Not all Palestinians are Muslim, but Israel, the U.S., and the western media have made it clear that the diverse religious or non-religious affiliation of Palestinians do not matter to the settler-colonial state that wants them exterminated. By labeling them all “Muslim,” they know what racialized, white supremacist-thinking and violence they are reinforcing and seeking to maintain.

Most of my writing is on media representations of Muslims and people of color, so when I notice the silence from certain people who would otherwise have no problem in condemning acts of terrorism when the perpetrators are Muslim, I continue to be so disturbed by the daily dehumanization of Muslims and all people of color in mainstream media, not just the news, but also in movies and TV shows. When people are watching and consuming racist, Islamophobic TV shows like “Homeland” and “24,” or movies like Zero Dark Thirty or Lone Survivor, that is another form of violence against people who look like us and our families. That, too, is white supremacy at work. When we are constantly otherized, vilified, and depicted as “perpetual threats to western civilization,” these images are an assault on our humanity and contributes significantly to why so many people do not see us as human beings. We should not have to exhaustively reiterate, shout, and scream about how Palestinians are human beings. We shouldn’t have to organize protest after to protest to cry out to the world that genocide is wrong and inhumane.

It hurt to see fellow Muslims heartbroken. It was painful to look at the pictures of the Palestinian men, women, and children whose names and faces mainstream media never wants anyone to know about — and I cannot imagine how much more painful this is for their family members and loved ones. It is infuriating and often disturbing that because you are Muslim, because you are dark-skinned, and/or from a country that is marked “evil,” your life is seen by the powerful, oppressive forces in the world as inferior, disposable, of no value, and not worthy of being remembered.

I wrote all of the above before Mike Brown was brutally murdered by a white police officer, Darren Wilson, in Ferguson. The media’s anti-black racism was shameless as usual, trying to depict an 18 year-old black teenager as being a “thug” who “deserved” to be killed. This is in sharp contrast to the sympathetic media coverage that white murderers receive. If you follow the link, you’ll see the headlines describing white suspects and killers as being “brilliant” or “outstanding students.” Television anchors often ask, “How did such a nice kid do such a horrible thing?” Yet, when unarmed black men and women like Mike Brown and Renisha McBride are shot and murdered, the racist media condemns these individuals, blames them for their deaths, and justifies the actions of their murderers. The protesters in Ferguson are demonized and blamed for “escalating” the violence while nothing is said about the white folks raising money for Darren Wilson.

Just tonight, I had “Gotham” playing on TV in the background as I was writing this post (I don’t recommend the show, it’s terrible!) and Harvey Bullock ruthlessly punches a black woman who has her hands up. Are you kidding me? How often do we see this kind of violence against black people and other people of color, especially women of color, in TV shows and movies? This stuff is so normalized that it isn’t uncommon to hear people say, “Oh, I’m sure that wasn’t intentional.” But that’s the thing, racism and misogyny doesn’t need to be intentional. The victim-blaming we see against rape victims (“she was asking for it because of the way she dressed”), against black people (“they were criminals, not angels!”), against Palestinians (“they voted for Hamas”), against Muslims (“they don’t apologize for 9/11″) represent troubling examples of how normalized and acceptable it is to hold oppressive attitudes. It’s the work of interlocking oppressions that continue to uphold the larger structures of violence in the world.

Even when oppressive attitudes and behaviors are intentional, there are still efforts made to trivialize or even justify the racist, sexist sentiments, especially when they come from people in powerful positions. As many people know by now, Bill Maher has been spewing tons of hate about Islam and Muslims for a while. Recently, he had Sam Harris on his show who said, “Islam is the motherload of bad ideas.” But it’s cool though, we got Bruce Wayne himself, um, I mean Ben Affleck to defend us. In case you didn’t see it, you can watch it here. Be warned though, if you care about the humanity of all people, you’ll be quite outraged.

I’m being sarcastic about Ben Affleck, by the way. While he correctly calls Maher and Harris’ horrible stereotypes about Islam “gross” and “racist,” I’m not ready to give a hero star to Affleck. I know this may not be a popular opinion, but Affleck is the same guy who directed Argo (aka Not Without My Daughter 2). That might come off as sounding ungrateful to solidarity from a non-Muslim celebrity, but at the end of the day, there is not a single Muslim on the panel here. Not one Muslim was invited to respond to the horrendous and dangerous Islamophobia being spewed. No doubt, this was deliberate. Keeping Muslims out of these “conversations” further otherizes, vilifies, and silences us. It reinforces a racist hierarchy where white non-Muslim men must debate amongst each other and figure out what needs to be done about the racialized “others.” In this case, it’s how to deal with the “Muslim problem” while rendering Muslims voiceless. This, of course, isn’t something unique to Muslims. Historically white men have (and still) sit in offices and meeting rooms to determine the destiny of people of color. Even when people of color are nowhere close to being silent in their struggles for liberation, the lies persist through media. Remember that Spielberg movie Lincoln and how it completely erased Frederick Douglass and marginalized black people for the sake of centering on a bunch of white men sitting around and disputing about what they wanted to do about African slaves?

So, while I do appreciate Affleck speaking up, I do have to say this about his white male privilege: You can’t make an Islamophobic film like Argo to get your Oscar on one hand and then condemn Islamophobia to receive praise for “defending Muslims” on the other. No, you can’t do both. Solidarity doesn’t work that way. If anything, for what it’s worth, I do hope that when Affleck heard these remarks being made, he understood the severity of Islamophobia and maybe (just maybe) he considered how his own work has contributed to it.

When Muslims are invited on these platforms to speak, they are bullied, insulted, and interrogated. When Reza Aslan was on CNN recently, the CNN hosts Don Lemon and Alisyn Camerota were horribly condescending and Islamophobic with their questions. As usual, Islam and Muslims were put on trial. Aslan was asked, “Does Islam teach violence?” Embedded in this question is the assumption that Islam is violent and that it is guilty unless proven otherwise. The sexist questions about Muslim-majority countries being “more sexist” than the United States were also terribly filled with Orientalist accusations.

When Muslims are invited to speak on panels or appear on news shows, they are not spoken with. They are spoken at. They are scolded. They are told to answer for the crimes that weren’t committed by them. They are not told to clarify or respond to misconceptions; they are told that their religion is barbaric, uncivilized, backwards, misogynistic, anti-Semitic, etc. The entire segment on CNN perpetuated the same attitudes that TV shows like “Homeland” perpetuate: Muslims must be seen in suspicious light and they must “prove” that they are not terrorists. The humanity of Muslims is never deemed important or relevant.

A few days after Aslan’s interview, Chris Cuomo appeared on CNN and started attacking Aslan’s “tone” and concluded that “this is why people are afraid of Muslims.” Now, I have critiques of Aslan for statements he has made in the past (I’m not going to delve into them here, but I’ll just leave this link here). There were many inaccurate and problematic things Aslan said in the CNN interview about Muslim-majority countries, but most importantly, as Shaista Patel pointed out, his insistence that female genital mutilation is an “African problem” was loaded with anti-black racism. Aslan’s response is a very liberal one and I’ve expressed on my blog before that the liberal responses to Islamophobia tend to be very simplistic and fall into the trap of reproducing the good Muslim/bad Muslim binary. Unfortunately, this is what happens when Muslims are placed on the defensive by default and rarely given a platform to represent themselves. I also know that regardless of what Muslims say, there are people like Cuomo who will use “tone arguments,” something that people of color are far too familiar with. I’ve seen cases where people of color have responded calmly and politely yet the white folks on the receiving end of the critique are always making it about “tone.”

It’s also ridiculous how Bill Maher transforms into a pro-feminist dude when he talks about sexism in “the Muslim world.” I’m not going to link it here, but Maher has a history of making misogynistic “jokes” during his stand-up routines and on other episodes of his show. I’m also fed up with the “moderate Muslim” and “fundamentalist Muslim” binary that is constantly reiterated in western media. But Harris said something on the show that I never heard before. He said that there are four types of Muslims! So, not two anymore, but four! According to him, there are the (1) “violent jihadists,” (2) the “Islamists,” (3) conservative Muslims, and (4) nominal Muslims who “don’t take their religion very seriously.” Wow, in all of my years being a Muslim and raised by Muslims, I never heard this before. That’s bloody brilliant, Sam. This must be the reform you’re talking about. Thanks for breaking us down into four categories instead of just two. “Good Muslim/Bad Muslim” was getting boring.

But yeah, I do not identify with any of those categories! I cannot fit in any of them and neither can most Muslims. It’s because we’re people; we’re human beings. We’re not Cylons/robots that are built and designed into a limited number of model types (I’m foreshadowing a future post here). It’s incredibly dehumanizing and so much more concerning when we see this allowed to air on TV.

Lastly, Maher, Harris, and other Islamophobes claim they are “not hating all Muslims,” but rather seeking to “lift up” the voices of Muslim “reformers.” They claim that criticizing Islam is not racist nor Islamophobic. Yes, criticizing Islam is not Islamophobic, but far too often, “criticism of Islam” has meant to use racialized language and rhetoric to demonize it. The latter is not criticism; it is about furthering an agenda to cast Muslims as racialized “others” and justify laws, discrimination, and wars against Muslims. If Maher and Harris really cared about empowering Muslims, they would speak with Muslims and listen to our voices rather than calling our faith the “motherload of bad ideas” or arguing that Muslims will “f**king kill you” if you “say the wrong thing.” How can you claim you want to “help” Muslims when you cast them as potential murderers and cannot even respect their way of life, let alone confront your own prejudice and oppressive stance against Islam? There are Muslims in our community who have been speaking out against groups like ISIS. I don’t think this is necessary because no Muslim should feel the burden of answering for crimes that other people committed, but there are Muslim organizations and individuals who do it.

Yet there are those who continue to insist that these Muslims speaking out are apparently not doing enough. Ali Rizvi, who identifies as an atheist Muslim, recently wrote an awfully problematic article on the Huffington Post addressing “moderate Muslims.” I reject the term “moderate Muslim” because, again, Muslims are people, not categories, but I assume Rizvi is trying to address the overwhelming majority of Muslims. Rizvi suggests, alarmingly, that Muslims share some responsibility in perpetuating Islamophobia. Not only is this inaccurate, it is dangerous. He asks Muslims to put themselves in the shoes of non-Muslims and to look at all the images we see in mainstream media of Muslims shouting “Allahu akbar” and quoting the Qur’an before carrying atrocious acts of violence. Nevermind the fact that mainstream media has immense control over the images and stories it chooses to project or tell. Nevermind the fact that white non-Muslims are never accused by society at large for perpetuating white supremacy and racist violence against people of color. Nevermind that Muslims are constantly demanded to apologize and answer for groups like ISIS. Also, what about the countless Muslims who don’t wish to engage in political conversations or are fed up with having to answer for violent groups? What about the Muslims who are silent only because speaking up about these issues in their schools or workplaces will create an even more hostile climate against them or even jeopardize their careers? Has Rizvi taken into account that many Muslims in the west need to protect themselves in workplaces and schools? If white non-Muslims are able to carry on with their lives without having to apologize for violence committed by men like Adam Lanza and Elliot Rodger, then why should Muslims feel the burden of responsibility for other people’s crimes?

Rizvi argues that criticism of Islam is not racist. On the surface, this is true, but what he fails to understand is how Islam is racialized. He fails to understand how Muslims are constructed as a race, despite not being one. As Houria Boutelja reminds us, Islamophobia is not and should not be merely characterized as a “feeling” or sentiment. She states, “To speak of Islamophobia as sentiment is a euphemism. Islamophobia is first and foremost state racism.” When we see NYPD spying and infiltration of Muslim communities, the recent raids on Muslim homes in Australia, the bans on hijab in western countries, the increase in racial profiling, and the vicious violence against Muslims in Palestine, Pakistan, Afghanistan, Iraq, Kashmir, Somalia, Yemen, etc., Islamophobia is more than just about sentiment or “hurt feelings.” So, when Rizvi claims that Maher and Harris are “critics” of Islam, he is removing this context and reality of Islamophobia and white supremacy from their arguments. Again, as mentioned earlier, there is a significant difference between criticism and hate speech that perpetuates harmful consequences and practices against Muslims. The latter is clearly what Maher and Harris are participating in.

I recently read “Feminist Edges of the Qur’an” by Aysha A. Hidayatullah and I thought it engaged with the Qur’an in a very honest, critical, and scholarly way. Throughout the text, Hidayatullah recognizes the realities and histories of Islamophobia, colonialism, and racism that often come with narratives regarding gender justice and feminism in Muslim communities. Any critique Hidayatullah makes is done without Islamophobia. When I read the book, I felt it was written for Muslims, which is significantly different than the statements made by Maher and Harris, who are more interested in talking about Muslims and making attacks against the faith/community. For Maher, Harris, and other Islamophobes to hide behind the pathetic excuse that they really “care” about Muslims or want to “help them” rings of destructive white saviorism. Again, by making Muslims voiceless, they assert that white non-Muslim men and the dominant structures in society control the destiny of Muslims.

Racism and sexism has always been on TV, but the way we see racism, sexism, Islamophobia, and other oppressions increasing on TV is utterly appalling. We cannot downplay the power of media and we need to take these images seriously, especially when they are used to justify racist policies, invasions, drone strikes, military occupations, sexual violence, police brutality, etc. I also think it’s really important for our allies to stop consuming these shows and make an effort to speak out against them. I wish we could see Muslims appear on these news shows and share their stories without the anchors or hosts attacking their religion or asking them accusatory, racist, and sexist questions. What would it look like if Muslims were given a platform where they could tell their stories without the gaze of Islamophobia?

As many know, the voices and stories of Muslims, of people of color are never silent. They are silenced by the powers that be.

In Defense of Creating Safe Space on Social Media

tumblr_n2sum9iWod1rfwfq9o1_1280During the Occupy protests, I remember attending a meeting created by and for people of color. Their goals were many, including efforts to de-center white activists who failed (and refused) to address issues like racism, sexism, colonialism, and imperialism. They also sought to change the name to “Decolonize” instead of “Occupy” because the land on which we walk in the United States is already stolen and occupied Indigenous land. As the first meeting began, we recognized that there were white people in attendance seeking to show solidarity and become allies. They were welcomed in the group, but most people of color also demanded that there be time for safe space, i.e. meetings for people of color only. As expected, the reaction from white folks was extremely defensive. I heard some even say that we were resorting to the very discrimination that we were fighting against (we’ve all heard this before, nothing new). Also not surprising was how there were some people of color in agreement with these white activists. As one could imagine, a lot of exhaustive arguing ensued, especially from people of color who were trying to explain the need for safe space. Ironic was how the white activists who kept complaining and crying “reverse racism” failed to recognize that their defensive reactions were precisely the reason why people of color ask for safe space — a space where our concerns don’t get derailed or where we don’t need to explain ourselves or worry about being labeled “reverse racists” or “anti-white.”

Recently, on my Facebook, a person of color (who I had recently added) accused me of “reverse racism” and “discriminating against white readers” when I shared my previous post on X-Men’s appropriation of anti-racist struggles. He also said that the answer to racism is not the “supremacy” of “another race group” just like the “the answer to patriarchy is not matriarchy.” After I replied to a private message of his and recommended some readings for him, he de-friended me and wrote a scathing message where he accused me of “playing the victim,” “isolating myself” and surrounding myself only with people who “agree with me.” It’s not important who this person is specifically. What’s more important and concerning is that there are far too many people like him who buy into the myths of “reverse racism” and “reverse sexism,” as well as the “multicultural” notion that respecting and accepting “all views” is a marker for being “progressive.”

I’m not going to address the “playing the victim” comments in-depth here, but I will quickly just say that regardless of how much I disagree with someone, I would never go as far as using victim-blaming attacks against someone, especially a person of color. I don’t know how anyone committed to anti-racism, feminism, and anti-oppression can accuse another stigmatized and marginalized individual of “playing the victim.” The vocabulary reminds me of “playing the race card” or “playing the gender card,” which imply that those who struggle against racism and sexism are “treacherous” and have the “advantage” over those who are more privileged in white supremacist heteropatriarchy. As Ann Anlin Cheng writes in her book, “The Melancholy of Race”:

Even in contemporary vernacular culture, we observe the increased frequency with which the ‘race card’ is displayed… Indeed, it has acquired the peculiar status of a game where what constitutes a winning hand has become identical with the handicap. Reappearing with the vagrancy of a Joker, the race card brings with it a host of haunting questions about the value and perception of race and racial matters in America. What does it mean that the deep wound of race in this country has come to be euphemized as a card, a metaphor that acknowledges the rhetoric as such yet simultaneously materializes race into a finite object that can be dealt out, withheld, or trumped? Why the singularity of a card? Who gets to play? And what would constitute a ‘full deck’?

Holding a ‘full deck’ may imply some idealized version of multisubjectivity (that is, the potential to play the race card, the gender card, the immigrant card, and so forth), but it also implies a state of mental health and completion that renders such playing unnecessary in the first place. One would ‘play’ a card only because one is already outside the larger game, for to play a card is to exercise the value of one’s disadvantage, the liability that is asset … [T]he vocabulary of the card also reveals a conceptualization of health and pathology that underlies our very perceptions of race and its abnormalities. Figuring the minority can be treacherous… [A]s the ‘race card’ rhetoric makes clear, there is more than a little irony, if not downright counterproductivity, in effort to relabel as healthy a condition that has been diagnosed, and kept, as sickly and aberrant.

Cheng calls attention to the paradox: “the one who plays with a full deck not only need not play at all but indeed has no such ‘card’ to play. Only those players with less than a full deck need apply.” I would go as far as describing such arguments (“playing the race card” or “playing the gender card”) as racist and sexist. Similarly, when it comes to people who make “reverse racism” and “reverse sexism” arguments, I believe those assertions should be described as racist and sexist arguments as well, not merely flawed or problematic. Recently, a First Nations band, A Tribe Called Red, heard cries of “reverse racism” after one of their members wore a T-shirt mocking the Cleveland MLB baseball team: the word “Caucasians” instead of “Indians” was written across it. Far too often, claims of “reverse racism,” “reverse sexism” and any other type of “reverse” oppression are attempts to derail, vilify, and silence people resisting against these oppressions.

I’m not going to explain why “reverse racism” arguments are oppressive, mostly because so much work has been done on it already (watch Aamer Rahman explain it and read Mia McKenzie and A.D Song’s brilliant post). What I want to talk about is the flawed “multicultural” notion that if you don’t surround yourself with people who “have different views,” you are “close-minded.” I’m not talking about “different views” in the sense of having different perspectives that are non-oppressive. None of us think exactly the same, but there is a significant difference between having different perspectives and having views that are racist, sexist, Islamophobic, homophobic, etc. If you’re going to trivialize and/or justify drone attacks, rape, racism, racial slurs, gender slurs, Israeli occupation of Palestine, etc., then we are going to have issues. There is a difference between having a disagreement over, say, whether or not we are ready to see complex supervillains of color in western sci-fi/fantasy (I don’t think we are, but I know others who feel differently) and having a disagreement over use of the “i” word to describe undocumented immigrants. Use of the “i” word is not “up for debate,” as the term is dehumanizing. I’m not talking about people who are unaware of how this word is a racial slur; I’m talking about people who have already made up their mind and insist that this language is “appropriate” and “acceptable.” If you set boundaries for yourself and seek to avoid people who are perpetuating racist and sexist ideologies, then how is this “close-minded”?

In my personal life and on my Facebook page, I used to be ok with befriending people whose politics were profoundly different than mine. I spent the time and energy “dialoguing” with them and addressing their misconceptions about Islam, anti-racism, and other issues. However, a lot of times, these conversations would become quite heated and accusations of “reverse racism” were leveled at me and my friends.  After a while of going back and forth with these people, I realized how much time and energy I had wasted on people who were never interested in learning in the first place, but rather wanted to argue, insult me, and prove me “wrong.” I remember I would go to work on some days and then come home at night only to see ridiculously long comments posted on my wall that labeled Prophet Muhammad (peace be upon him) a “terrorist” and “Jew-hater,” or comments that demanded Muslims to explain the “violent verses” (most of the time, I found that these comments were copied and pasted off of notorious Islamophobic websites). I remember spending hours responding to these people. I recall writing an 11 page e-mail to a friend (who I knew since 6th grade) who believed that the Qur’an didn’t permit friendships between Muslims and Christians. I would cite so many books on Islam and Islamic history to assure people who were important to me that my faith didn’t preach discrimination or violence against people due to their religion. In some cases, things worked out fine. Sometimes my messages to online non-Muslim friends (i.e. people I never met before) had better results than my conversations with friends who knew me for years. In many cases, no matter how “peaceful,” “polite,” or “respectful” my tone, the conversation would go nowhere. When some asked ridiculous questions like “Where are all the moderate Muslims?” it was never a sincere question most of the time. It’s an attempt to vilify Muslims unless they support racist U.S. policies (NYPD spying of Muslims, racial profiling, etc.) and violent U.S. wars in Muslim-majority countries.

A turning point came for me after I read Mia McKenzie’s post, “Read a Book! Or, Why I Don’t Talk to Strange White Folks About Race,” where she writes about why she refuses to respond to random white people whom she doesn’t know well or trust. She argues that, most of the time, when people of color spend the time and energy and exhaust ourselves in explaining racism to random white people, most of the time, nothing good comes out of it. She elaborates:

What happens, most of the time, is nothing good. Why? Because the person who posted the thing that offended us did so because it’s what they really think, it’s what they actually believe, it’s the conclusion that they have somehow come to after 25 or 30 or 40 years of living in this world. The ridiculous position they just laid down isn’t something they just came up with. It’s their fucking philosophy, and they mean that shit. And now here you come telling them, uh uh, nope, your analysis is flawed and this is why. And you are right. You really are. And guess what? It doesn’t matter… Nothing you say is going to change that. But you might spend a lot of time and energy trying.

[...]

More importantly, engaging with strange white people about race feels incredibly unsafe. If I do it anyway, because, after all, they just want to “understand” my position, then I am putting their need to “understand” ahead of my own need to protect my psychological and emotional well-being. And why on earth should I do that? Especially when the likelihood of that understanding actually happening is slim to none? And the likelihood that my position will be mocked, dismissed, or attacked is very high?

I found myself relating to much of this and I soon began to remove offensive people from my Facebook. Some of these people were from interfaith groups I had joined and while I don’t doubt their intentions were initially good, they often would try to tone police me and other Muslims on my wall when we expressed outrage against Islamophobia and imperialism. Respectful and compassionate conversations with our friends and allies are important, especially when we make mistakes. However, when it comes to people who are insulting, condescending, and/or think they’re superior to you, what is to be gained from this “friendship”? What is the point of “friendships” when white people, and those who defend them, are constantly trying to police our thoughts, feelings, and experiences? I found these interactions quite unhealthy for me. I’m sure all of us have dealt with these people. The kind of people who NEVER comment on anything you post EXCEPT the times when they want to argue with you. Or, the people who lurk on your Facebook and click “like” on the comments written by someone else who is insulting you. And of course, there are the passive aggressive people who will just post a link on your wall (or under your post) without leaving a caption or explanation of why they’re posting it (and the linked article is often something in response to the views you’ve expressed on your wall).

Some people have come at me for deleting people with accusations of “censorship” and being “close-minded” or “intolerant.” There have been countless times on my blog, for instance, where I’ve responded to Islamophobic, racist, and sexist comments from random people, yet what seems to outrage certain people the most is when I decide I’m done responding and would rather delete comments. I cannot control who reads my blog, but the main reason I put comment moderation on is because responding to Islamophobic comments became exhausting and a waste of my time. On the same thread where several people were saying “all Muslims” should be “executed” or “evicted,” some chose to tone-police me and accuse me of “censorship” instead of addressing the violent, anti-Muslim comments. I have heard countless incidents from women bloggers/writers who have received rape threats, in addition to death threats, from men who disagreed with them. Why is it “censorship” or “close-minded” if someone wants to ban these comments or delete people who think and behave this way?

For people who think maintaining a safe space on Facebook is “close-minded,” I ask them to consider this: most people of color are already in spaces that are discriminatory, unsafe, and/or hostile to them in their everyday lives. One of the major problems with “multiculturalism” is that it legitimizes “all views,” including views that are racist, sexist, Islamophobic, and so on. If you challenge someone who holds such views, the blame is on you for not being “multiculturally competent.” That’s how messed up “multiculturalism” is. Whether it’s in the workplace, school, or any other public setting, hearing these “different views” are things we hear on a daily basis. How often do people of color have to deal with ignorant remarks, offensive questions, or stereotypical assumptions? Many students of color are verbally attacked in their classrooms for raising anti-racist critiques and disrupting the status quo. How many are attacked, either verbally or physically, just for their mere presence in a classroom or workplace? What about people of color who have to bite their tongues at work 90% of the time for the sake of keeping their jobs? Many do speak up and get suspended, fired, and vilified for standing up for themselves. What about how often women see and hear sexism and misogyny, especially women of color who face both racism and sexism?

“Different views and opinions” that perpetuate racism and sexism not only come from classmates, teachers, co-workers, bosses, lawyers, doctors, but sometimes even from members in our own families. Yes, sometimes they are not intentional, but white supremacy and heteropatriarchy are so normalized that people don’t need to be deliberate in order to carry out oppressive acts or behaviors. When there are so many oppressive forces in everyday life, why is one considered “close-minded” or “living in a bubble” if he/she chooses to maintain a safe space on their Facebook, in their circle of friends, at their club meetings, etc.? I know lots of people of color, including myself, who like to use Facebook not only to network with people and stay in touch with friends/family, but to also vent comfortably and safely without worrying about judgment (or accusations of “reverse racism/sexism”). If you are constantly arguing and insisting that people of color can somehow oppress white people institutionally, despite being told and informed over and over again about how these arguments perpetuate racism, re-center white people, and silence and vilify people of color, you’re not just being disrespectful. You’re making your unwillingness to listen and learn very clear. Telling someone that they should be “more open” by having to listen and accept racist views is oppressive, not a sign of “progress.” If we cannot feel comfortable venting to our friends, then who can we speak to?

I have to clarify that I’m not saying everyone should delete people in this way.  I know this is more complex than simply saying, “Oh, that person posted something racist on your wall? Just delete them!” It’s no one’s business to tell you who you should or shouldn’t have on your Facebook. I have seen that play out as well and how it perpetuates shaming and victim-blaming. I do believe there are times when it’s important to show solidarity on someone else’s wall if they’re being attacked with racist, sexist, and oppressive comments. A lot of times, these comments are inevitable, no matter how hard we try to filter them out. There are complex reasons why we choose to maintain friendships with certain people, despite them holding views that are quite different than ours. Also, I’m not saying we shouldn’t engage in conversations with people. As a friend told me recently, it’s important that we don’t shut out friends and allies by being arrogant and condescending towards them.

My overall point isn’t about how people should use social media, but how we shouldn’t label people “close-minded” if they choose to delete people they don’t feel comfortable or safe having on their friend’s list. I don’t believe a safe space means that everyone thinks exactly the same or that people agree on everything. My friends and I disagree on a lot of things, but those disagreements occur in a space of trust, respect, compassion, and humility. When we are constantly surrounded by the images and messages that promote white supremacy, heteropatriarchy, colonialism, imperialism, etc., how can we blame people for seeking a safe space among their friends where they don’t have to deal with the headache, stress, and trauma of these oppressions? It is not “close-minded” or “censorship” – it’s the need, as McKenzie said, to protect our own psychological and emotional health and well-being.

For the Billionth Time, Magneto is NOT Malcolm X: Thoughts on Appropriation and Mutants of Color

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Spoiler Alert: There are major spoilers ahead for X-Men: Days of Future Past (and all of the other X-Men films).

I never liked the comparisons that significant comic book writers, filmmakers, actors, and even some fans make between Magneto and Malcolm X, as well as between Professor Xavier and Martin Luther King Jr. At the end of the first X-Men film (2000), Magneto delivers the line, “By any means necessary,” one of Malcolm’s most famous quotes. Prior to the release of X-Men: First Class (2011), Michael Fassbender, who plays the younger Magneto/Erik Lehnsherr, stated in an interview that the lives of Malcolm X and Martin Luther King Jr. directly influenced the film and the relationship between Magneto and Charles Xavier. “It came up early on in the rehearsal period and that was the path we took,” Fassbender confirmed.

I ranted about how inaccurate, offensive, and racist these comparisons are on my Facebook wall and then shared a blog post that expressed similar sentiments, “By Any Means” (and later, a more recent post, “Professor X isn’t Martin Luther King, and Magneto isn’t Malcolm X, either”). This would be a conversation I would have with fellow people of color, especially those who are X-Men/comic book fans as well. Despite the serious lack of mutants of color, the frequent racist and sexist representations of people of color (e.g. racist, sexist depictions of Japanese women and men in The Wolverine), and the problematic appropriation of anti-racist and civil rights struggles, I still considered myself an X-Men fan. Like many, I was looking forward to X-Men: Days of Future Past, which was always one of my favorite storylines in the comic books and the acclaimed animated series. While I enjoyed the movie, I could not help but feel annoyed by the way the X-Men films ironically fail to address the issues they claim to be challenging. In fact, Neil Shyminsky argues in his essay “Mutant Readers, Reading Mutants: Appropriation, Assimilation, and the X-Men,” that, “While its stated mission is to promote the acceptance of minorities of all kinds, X-Men has not only failed to adequately redress issues of inequality – it actually reinforces inequality.”  For the record, I don’t expect anything radical from Hollywood (and mainstream comic books), but I also find it upsetting that people of color are always expected to “look past” things like offensive and racist depictions of their communities, and to simply “enjoy the movie” uncritically. Given the powerful influence of media (on society, perceptions, attitudes, social norms, etc.), I don’t think it is meaningless to raise such critiques.

After seeing X-Men: Days of Future Past, I watched a new interview with Michael Fassbender and Ian McKellen (the latter plays Magneto from the original timeline of the series). About 11 minutes into the interview, McKellen drew the parallel between Magneto and Malcolm X yet again. McKellen states:

“In the history of all the civil rights movements, and I’ve been involved in the gay civil rights movement, there’s always a divide, there’s always an argument between how we go about making our lives better. Do you do Professor X’s way, which I rather approve of: standing up for yourself, but explaining yourself, wanting to be part of society. Or do you rather withdraw and get rather violent as, say, a Malcolm X figure would be.”

Fassbender replied in agreement, “Absolutely.”

These comparisons and characterizations of Malcolm X as “violent” are not just wrong and inaccurate, but incredibly offensive and racist. They reinforce a simplistic and harmful binary between Malcolm and MLK Jr. – one that vilifies the former, and de-radicalizes/co-opts the latter. I would also argue that a Christian (MLK Jr.) vs. Muslim (Malcolm X) narrative may also be present here, though perhaps not as pronounced as the “Good Black/Bad Black” binary. I know I should not be surprised by the sheer ignorance and irresponsibility of white actors and filmmakers, but I honestly felt that enough people have spoken out against these analogies that Bryan Singer, Ian McKellen, and Michael Fassbender would adopt a different approach to Magneto. Perhaps I was too optimistic in thinking that Hollywood would learn something for a change.

First, let’s get the obvious out of the way. Professor Xavier and Magneto are both white, not Black. Even if the philosophies of MLK Jr. and Malcolm X aligned accurately with Professor Xavier and Magneto, it’s still racist appropriation. In fact, this is one of the major problems with X-Men: it draws its influence from the civil rights movement in the 1960s, but replaces people of color with mostly white people. In other words, the experiences of people of color and their struggle against racist oppression are appropriated by white and mostly male mutant characters. As argued by Shyminsky, this allows white male audiences to “appropriate the struggles of marginalized peoples.” In his excellent post, “What if the X-Men were Black?” Orion Martin cites an interview with Stan Lee who said the civil rights movement allegory existed from the beginning. “It not only made them different, but it was a good metaphor for what was happening with the civil rights movement in the country at that time,” Lee said. In 1982, long-time X-Men writer Chris Claremont explained, “The X-Men are hated, feared, and despised collectively by humanity for no other reason than that they are mutants. So what we have here, intended or not, is a book that is about racism, bigotry, and prejudice.”

Yet, like many others, I’ve always felt the X-Men films failed in exploring mutant identity/positionality in conjunction with the complex and intersecting dynamics of race, gender, class, religion, sexual orientation, ability, and so on. Instead, the experiences of mutants, irrespective of their race and gender, are depicted within a flawed understanding of “all oppression is the same,” or “shared oppression.” Overlooked are the opportunities to explore how racism, sexism, along with anti-mutant sentiment, impacted mutant women of color differently than white male mutants, for instance. Or, what would the experiences of a Muslim mutant character look like in a hostile climate of anti-mutant oppression and Islamophobia within a white supremacist, capitalist, heteropatriarchal society? As Martin writes:

What’s disturbing about the series is that is that all of these issues are played out by a cast of characters dominated by wealthy, straight, cisgender, Christian, able-bodied, white men. The X-Men are the victims of discrimination for their mutant identity, with little or no mention of the huge privileges they enjoy.

One of the major criticisms of X-Men: First Class was its glaring omission of the civil rights movement and how, as Seth Freed Wessler stated, the “racial justice allegory was thrown out with the bathwater of history.” Ta-Nehisi Coates noted that the film takes place in 1962, the same year when South Carolina “marked the Civil War centennial by returning the Confederate Flag to the State Capitol” and the year when “the University of Mississippi greeted its first black student, James Meredith, with a lethal race riot.” He argued that the film “appeals to an insidious suspension of disbelief; the heroic mutants of America, bravely opposing bigotry and fear, are revealed as not so much a spectrum of humankind, but as Eagle Scouts from Mayfield.” Furthermore, he described the film as a “period piece for our postracial times — in the era of Ella Baker and the Rev. Dr. Martin Luther King Jr., the most powerful adversaries of spectacular apartheid are a team of enlightened white dudes.” And we all remember what happened to Darwin and how he was the first mutant to be killed (and the racist editing just made it worse). Despite the fact Sebastian Shaw tells Emma Frost earlier in the film that “we don’t hurt our own kind,” what he really meant was, “we don’t hurt our own kind unless its a Black mutant.”

X-Men: Days of Future Past doesn’t improve much in this regard. The mutants I was excited to see, namely Bishop, Blink, Warpath, and Sunspot (all characters of color) had some excellent action scenes, but very limited dialogue and screentime. Oh, and THEY ALL DIE. BRUTALLY. Some of them DIE TWICE (once at the beginning of the film and once at the end). Yes, by the end of the film, the dystopian future is prevented and the timeline is fixed, which means these mutants are now alive again, but the only mutant of color that we see at the end is Storm. Bishop, Blink, Warpath, and Sunspot are alive, but they were nowhere to be found and this on-screen absence is significant. I know they’re not part of the X-Men (they were part of Bishop’s Free Mutants Resistance Force in the future), but there are ways the filmmakers could have shown them (that is, if they really cared for these characters). Also, I’m aware that Iceman and Colossus were also killed viciously by the Sentinels, but the majority of the mutant characters killed off were people of color, including Storm. Some may argue, “No, they died honorably,” or, “They were selfless heroes because of their sacrifice,” but how often do we see this pattern in the way people of color are depicted? What this boils down to is, people of color need to die so that the white heroes can fix things in the past and save the whole world. Because it’s always up to white men to save humanity.

Ok, I’m getting off track. My second point: Magneto is not Malcolm X because the former murders people and the latter did not. It is ironic that Ian McKellen believes it is “simplistic” to label Magneto a “villain,” yet he resorts to a simplistic and incorrect understanding of Malcolm X. I am not an advocate of “non-violent” resistance, but when McKellen refers to Malcolm as a “violent” figure, I wonder if anyone bothered to ask him to name a time when Malcolm was violent. Malcolm X advocated for self-defense, which is extremely different than the ruthless violence Magneto carries out.  It seems obvious that neither McKellen nor Fassbender bothered to read Malcolm’s autobiography (Fassbender admits he “didn’t study any Malcolm X videos” for the role).

In one of the aforementioned posts, David Brothers calls the likening of Magneto to Malcolm “both disrespectful and part of the ongoing demonization of Malcolm X.” The latter statement especially rings true because it was only one semester ago when I heard a professor pit Malcolm X against Martin Luther King Jr., relying on the same dichotomy that depicts the former as “violent,” “anti-white/reverse racist” and the latter as the “peaceful” one. Brothers continues:

Magneto is a charismatic man who talks a good game, but won’t hesitate to kill a gang of people if it suits his purposes. This is the Malcolm X figure in Marvel Comics? A killer? That isn’t what “By any means necessary” is about… It isn’t as simple as Malcolm X bad, Martin Luther King good. That’s a false dichotomy that is practically taught in schools nowadays. It’s untrue. Magneto is Magneto. He is a killer, sometimes a sympathetic one, but a killer nonetheless.

In his 2013 post, Brothers elaborates further and argues that “America likes to place them [Malcolm X and MLK Jr.] in conflict with each other” while ignoring how “the truth was much more nuanced.” He also explains why Professor Xavier is not MLK Jr. either:

Professor X drafted children into a paramilitary unit under the guise of educating them, and then sent them out to fight other mutants. They’re essentially a self-police force for the mutant people… Magneto is the other side of the fence. Where Xavier wants mutants to coexist with humans, Magneto is a mutant supremacist and terrorist. He murders humans, he brutalizes mutants, and anyone who stands in his way is found wanting and considered a traitor. Magneto is a murderer with ideals, when you boil it down.

Neither character bears any resemblance to Martin or Malcolm, outside of a short-sighted and frankly ignorant idea of what Martin or Malcolm represent. People have said it, but that doesn’t make it true.

Lastly, it needs to be understood that these comparisons are harmful. In addition to demonizing Malcolm X and de-radicalizing MLK Jr., the binary maintains racist thinking that attempts to divide African-Americans into two, simplistic categories. It distorts history and insults the legacy of both Malcolm X and MLK Jr. Claiming that two super-powered white men are stand-ins for two civil rights leaders fighting for the liberation of Black people and then appropriating and exploiting their struggles does the opposite of challenging oppression. In films where men and women of color characters are marginalized, and where the realities of racism, sexism, homophobia, Islamophobia, etc. are never given mention, these forces might as well not exist in the world the characters inhabit. As a result, this erasure perpetuates a harmful “colorblind” and “post-racial” myth. If there is any analogy to draw, it is that simplistic binaries of “good mutants” versus “evil mutants” (attempts to make the latter mutants more “complex” notwithstanding) are analogues to the workings of white supremacy which oppressively categorizes people of color as either being in the “good camp” or the “bad camp.”

On February 16th, 1965, five days before El-Hajj Malik El-Shabazz, or Malcolm X, was assassinated, he made a speech about the way media vilifies those who resist against racism. Below is an excerpt from his speech, which is so relevant today that it could even apply here – to the people who keep insisting that Malcolm was a “violent” figure and “like Magneto”:

“We’re against those who practice racism. Racism which involves a war against the dark-skinned people in Asia, another form of racism involving a war against the dark-skinned people in the Congo, the same as it involves a war against the dark-skinned people in Mississippi, Alabama, Georgia, and Rochester, New York. They accuse us of what they themselves are guilty of. This is what the criminal always does. He’ll bomb you, then accuse you of bombing yourself. He’ll crush your skull, and then accuse you of attacking him. This is what the racists have always done. He’ll practice his criminal action, and then use the press to make it look like the victim is the criminal, and the criminal is the victim.”

Where is the “violence” that McKellen spoke of?  If anything, McKellen falls into the same racist logic used to demonize Malcolm. The enormous lack of respect for leaders like Malcolm X and Martin Luther King Jr. is apparent in the way white filmmakers and writers attempt to transform these individuals into fictional white super-powered characters where one is labeled a “hero” and the other, a “villain.” In a film series where white characters dominate screen-time, what does it mean when the filmmakers and actors insist on drawing false parallels to Malcolm X and MLK Jr. while they promote these films? What message are they promoting? The films are often applauded by mainstream movie critics as offering important lessons on racism and prejudice, but who gets to “teach” these lessons? The stories may be influenced by anti-racist struggle, but, as usual, white characters lead the way in these films.

Filmmakers, actors, comic book writers, and fans need to stop making these comparisons. If you want to learn about Malcolm X, don’t read about Magneto. Read Malcolm’s autobiography and stop likening him to a fictional white mutant supremacist created by white men.

Happy Muslims: Performing “Happiness” and “Normalcy”

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I can’t believe I haven’t updated my blog since 2013! Most of my hiatus is due to being busy in graduate school and also working on a feature film. I’ll share some details about the film later in this post, but I first want to address a video that came to my attention a few days ago.

By now, most Muslims active on social media have seen the “Happy British Muslims” music video, which shows a diverse group of Muslims in Britain lip-synching and dancing (happily, of course) to the song “Happy” by Pharrell Williams. I noticed friends on Facebook sharing the video, but at first, I didn’t take the time to watch the video. However, after I noticed debates taking place, I decided to give it a view. Yesterday, a Chicago version of “Happy Muslims” was released online and I also heard about Boston and Toronto versions being in the works. Before I share my critique of these videos, I want to discuss a few conversations I’ve been seeing online.

So far, from what I’ve read, most of the articles framing this debate are reinforcing binary-thinking within the Muslim community. The articles state that there are two groups of Muslims that are dominating this discussion. The first group are Muslims who enjoyed the video and believe that it humanizes Muslims and helps break stereotypes. Obviously, it makes sense that many Muslims would support the video. After all, in Hollywood and mainstream western media, Muslims are overwhelmingly depicted as villains and terrorists (for over a 100 years!), so it’s refreshing to see Muslims being happy in a music video that has gone viral. The second group of Muslims, on the other hand, find the video sinful and incompatible with Islamic teachings. Their main criticism being that Muslim women are dancing in the video and that such “behavior” does not “follow the Sunnah.”

This debate continues to ensue on online forums, Facebook pages, Twitter posts, etc. However, the problem with this binary framing is that it ignores other perspectives that have not been receiving much attention (or being left out of the discussion altogether). One of these perspectives is concerned about the problematic messages the video reinforces politically. I believe Yasmin Jamaludeen’s powerful critique of the video touches upon many of the same concerns I had, but also so much more. As she writes:

What the video very evidently does is it seeks to humanise Muslims by implicitly submitting to orientalist accounts. Why do we continually insist on trying to prove our humanity and normality through such nonsensical antics? And just for the record, I don’t take issue with the dancing or the music, although I know some elements of the Muslim community will. To be clear, I am taking issue with a very specific point, the underlying message that is being bulldozed through this video: “Hey Britain, check us out, we’re not all suicide-bombers. Some of us are even in touch with chart music. And look, we can even crack a smile when we’re happy”.

Like Jamaludeen, my problem isn’t with the dancing or music. In fact, I disagree with some of the Muslims who are objecting to the video on religious grounds. It’s outrageously sexist that a “halal” version of the video was made, where all of the Muslim women were edited out. By erasing Muslim women, they are being deemed “haram,” which is beyond horrible. I also don’t believe in shaming anyone who participated in the video nor am I interested in making personal attacks against the people who enjoyed the video. Jamaludeen also made it clear she wasn’t cynical about the people in the video and wasn’t attacking anyone, but rather expressing her cynicism about the agenda, which is what I’m interested in discussing. Specifically, what I’m interested in examining is how videos like these promote assimilation narratives that subsequently reinforce the harmful good Muslim/bad Muslim dichotomy.

One of the main issues I have with the video is that it follows a problematic, though common, trend we see from Muslims in the West who are attempting to “break stereotypes” or respond to Islamophobia. The common trend being that we have to assert our Western national identities in order to show the dominant culture that we are “normal” and “peaceful” people. In many ways, the problems I have with this video are the same problems I had with the “All-American Muslim” reality TV show which aired briefly on TLC (and faced Islamophobic attacks). I didn’t take issue with how Muslims in the show dressed, or where they worked, or whether or not they dated. It was with (and I know some people are probably tired of me saying this) the notion that we must be “proud Americans” (or proud Westerners) to qualify as human beings. It’s with the premise that we need to operate within the white non-Muslim gaze in order to claim our humanity; that we need to say, “Hey, look, I have barbecues in my backyard just like every other American! Look, I watch football games like you, too! We’re all American!” The title is cringe-worthy enough, too — what does “All-American” mean exactly?

National Muslim civil rights organizations promote these narratives too, unfortunately. In their PR campaigns, they’ll showcase images of Muslims proudly waving (or even wearing) American flags in the name of “breaking stereotypes,” as if performing Americanness (or Canadianness, Britishness, etc.) is the only way to prove to the West that we are human. Meanwhile, the Muslims who resist these narratives and/or question the legitimacy of white supremacist nations (often by addressing the racist, sexist, and violent colonial histories of these nations and the impact these forces have today) are categorized as “bad Muslims” – the militants, the extremists, the radicals, etc. Sadly, we see this good Muslim/bad Muslim dichotomy also perpetuated by people in our own communities. I remember a few friends and I raised concerns about the way some Muslim civil rights groups were praising the “founding fathers.” In particular, we called attention to the fact that the founding fathers owned slaves and perpetuated genocide against Indigenous peoples. The response we received from one of the representatives was a hostile one, accusing us of being “bad PR.” What message does this deliver to Indigenous peoples struggling against colonialism and genocide? What message does it deliver about Muslims in America and the agenda that some organizations are trying to promote (i.e. “we’re only concerned about our interests” over the rights of others)?

We saw the same pattern of the assimilation narrative in the awful Mipsterz video (which I believe is still worse than the “Happy Muslim” videos). With regard to the “Happy Muslims” videos, the critiques are again about how Muslims perform “happiness” for the white gaze to be seen as “normal” (“normal” meaning “just like every other British/American/Canadian person” and being seen as nonthreatening to white supremacy). An article on OnIslam.net, which wrote in defense of the video, concluded with a sentence stating that 83% of Muslims are “proud to be a British citizen.” To counter stereotypes, the message seems to always be: “We deserve equal rights and dignity because we’re proud British/American/Canadian/Australian, etc. citizens,” instead of “We deserve equal rights and dignity because we’re human beings.” It’s as if the only way to be respected and accepted in society is to show white non-Muslims that we are not only “happy” in their white supremacist nations, but also how we are “the Good Muslims,” or “proud citizens just like them.” Subsequently, this works to distinguish us from the Muslims “over there,” i.e. the Muslims who aren’t citizens of the West and characterized as being “backwards,” “uncivilized,” “unintelligent,” etc. (and as if their lack of citizenship makes them less human or their deaths less outrageous).

Indeed, Islamophobia and other oppressive forces from the white supremacist capitalist heteropatriarchal establishment have tremendous effects on Muslims and people of color. I’m not saying that the Muslims who participated in the video are unaware or not impacted by these forces. However, what I’d like to call attention to is that we rarely see stories or videos that show Muslims resisting against state racism, assimilation, and other oppressive forces in their lives without being demonized for it. Are “happy” and state-friendly images of Muslims the only response we have to Islamophobia? Or, to phrase another way, are these images the only “appropriate” ways to counter stereotypes?

The argument from people who are defending the video is that the filmmakers are humanizing Muslims. However, let’s ask ourselves what it means to be human. Does “human” mean that we are only allowed to express one emotion, “happiness”? Does a “humanizing” depiction of Muslims mean we restrict ourselves to the narrow depiction of being “Good Muslims” and omit the other emotions (like anger and sadness) we experience for the sake of “proving” to white non-Muslims that we are not terrorists? I’m concerned with the ironically angry personal attacks that critics of the video are getting from fellow Muslims. Critics are labeled as the Muslims who “don’t know how to be happy” or “don’t know how to have fun.” Unfortunately, it goes to show how the good Muslim/bad Muslim is being reproduced, but also how oppressive “positive-thinking” politics can be, especially when they’re imposed on people who are expressing the opposite.  That is, if you aren’t “happy” or thinking “positively,” then you’re characterized as being “oversensitive,” “ungrateful/unappreciative,” or “too angry.” What does “happy” mean in this context anyway? Be happy and don’t talk about Islamophobia? What are the attitudes towards Muslims who do not perform happiness in the way the Muslims in the video do? What are the views toward Muslims who would be classified as “angry,” and are actively resisting against white supremacy and patriarchy? What are the attitudes towards Muslims who are disloyal towards the British government (or any government, really)? What about Muslims who don’t feel like they can “fit in” or may not even want to “fit in”? Aren’t all of these questions and concerns also part of people’s humanity?

There are ways to show Muslims struggling against white supremacist capitalist patriarchy without portraying us as “helpless victims” or mass murderers. There are ways to tell stories about these struggles without relying on demonizing stereotypes. We can tell these stories without being primarily concerned with the gaze of the white non-Muslim audience. A few days ago, I read a really moving article by author Daniel José Older, who wrote about writers of color and the challenges they face in storytelling and publishing. In the article, titled “Diversity is Not Enough: Race, Power, Publishing,” this part stood out to me the most:

The disproportionally white publishing industry matters because agents and editors stand between writers and readers. Anika Noni Rose put it perfectly in Vanity Fair this month: “There are so many writers of color out there, and often what they get when they bring their books to their editors, they say, ‘We don’t relate to the character.’ Well it’s not for you to relate to! And why can’t you expand yourself so you can relate to the humanity of a character as opposed to the color of what they are?”

So we are wary. The publishing industry looks a lot like one of these best-selling teenage dystopias: white and full of people destroying each other to survive.

But let’s go back to this: “It’s not for you to relate to!” Write that in the sky. And it’s true – often, as writers of color, to portray our stories in all their vibrant authenticity, all their difficult truth means we’re not writing for editors and agents, we’re writing past them. We’re writing for us, for each other. And it’s not just a question of characters of color, it’s not a numbers game. It’s about voice, about narrative flow. Because of who we are and what we’ve lived, our stories often contain implicit critiques of white supremacy, critiques that we know stand little chance of surviving the gauntlet of the majority white publishing industry. We see diverse futures, laden with the tangled past of oppression and we re-envision models of empowerment and survival. But only a few of us make it through. There is a filter and the filter is white culture [Emphasis mine].

Yes. All of that!

The part about “writing past” editors and agents resonated with me the most because I believe it articulates how I’ve been approaching the feature film I’m currently writing/directing/producing (filming is about 70% finished). I did not want to make a PSA announcement nor was I interested in “educating” a white audience about Islam and Pakistani culture. I did not want the two Pakistani Muslim protagonists to be seen as representing “all Pakistanis” or “all Muslims.” Instead, I have been focusing on telling an honest and unapologetic story that treats these characters as complex, multi-dimensional individuals and human beings. I don’t mean “human beings” in the universal, colorblind, “we-are-all-human-therefore-race-doesn’t-matter” sense. I mean “human beings” as in owning our feelings, emotions, complexities, without being concerned with whether or not these characters make white non-Muslim audiences comfortable. In some scenes, these two characters are happy. In other scenes, they’re sad and conflicted. And sometimes, they are angry and disruptive. I’m sure some people will have critiques about the film and I’ll do my best to be ready for those criticisms (and own up to any mistakes I’ve made), but overall, I have found that not worrying or caring about the white gaze has been a very empowering process in telling this story. By the end of it, I hope it is seen as a disruptive film that challenges white supremacist patriarchy in education institutions and the workplace (where most of my film takes place), and promotes solidarity among communities of color. I also hope it’s seen as challenging assimilation and “American identity” in general. Of course, I anticipate white people watching the film and, if anything, I’d like them to think about how they can be allies (or improve their roles as allies), but overall, they’re not the target audience of the film.

Lastly, I’m not saying that we should see Muslims being “angry all the time” in contrast to all the “happy” videos that portray Muslims as “joyous,” “hip,” and “cool.” I’m saying that we do not see Muslims expressing rage or anger in videos/movies/TV shows that are seeking to humanize us. Too often, all we see are PSA or PR campaigns that are about “educating” non-Muslims that we are not “terrorists;” that we are just like them; that we are not actively challenging state oppression. If we see “angry Muslims” in mainstream media, they are terrorists, misogynists, and “oversensitive,” racialized Others who are “backwards” and “pre-modern.” Very rarely do we see stories or depictions of Muslims where we just are being and existing in all of our complexities without the filter of white culture.

While some people defend the “Happy Muslims” video (which seems to be turning into a campaign now in the West) and believe it helps “break stereotypes,” there are other stories that are left untold. I know there are other Muslim filmmakers and storytellers who are telling more nuanced and complex stories and not catering to the white gaze, but we do not see their work being promoted enough. We need to move away from this idea that we have to perform “happiness” and/or assert “American,” “British,” or “Canadian” identities to be seen as human beings. As Jamaludeen expressed at the end of her critique, we need to “start defining ourselves on our own terms.” The white supremacist nation-state doesn’t decide who is human or isn’t — our humanity is God-given and no one can take that away.

Totally Radical Muslims Volume 2: Karbala Fired Resistance Stories

TRMcoverart

Cover art for Volume 2.

Dear Readers,

I am grateful and honored to announce that a short essay of mine was published in the latest zine from “Totally Radical Muslims” (I especially love the title, “Karbala Fired Resistance Stories”). I have read some of the works published in their first zine, including a powerful poem that was featured on The Feminist Wire’s Forum on Muslim Feminisms last year, and I can’t wait to read the other pieces in their latest publication. Please visit their website, like them on Facebook, and support their radically awesome zine, if you can! I am so grateful that such a platform exists for many Muslims whose stories and experiences are often untold, marginalized, and/or vilified. Below is an excerpt from their website, which best describes their zine and efforts:

a group of oakland based muslims have started a zine to confront, share, name and re-imagine experiences of islamophobia.

surviving and being a muslim in this political moment is a constant struggle and political act.

this zine is to lift up the perspectives of often untold muslims – the radicals, queers, fabulous and fierce folks – through adding narratives of navigating the spectrum of practice, belief, ideology, sect, gender and islamophobia.

this zine is about resistance and resilience, and us telling the stories for ourselves with all their edges, contradictions, beauties and gems.

this is about saying no to islamophobia and being racialized and politiczed because of our muslim identity – regardless of how secular, radical, and culturally muslim we are.

this is about saying yes to the liberation of all people.
yes to being allied with, and an ally for others.
this is taking a step towards our collective healing.

If you are interested in buying the zine, you can purchase it through their website! :)